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Recent Applications of Infrared and Raman Spectroscopy in Art Forensics: A Brief Overview
12 references·0 citing·45 second hop
Recent Applications of Infrared and Raman Spectroscopy in Art Forensics: A Brief Overview (2014)Recent Applications of Infrared and Raman…Crime Scene Investigation (2014)Crime Scene InvestigationTLC‐SERS study of Syrian rue (Peganum harmala) and its main alkaloid constituents (2012)TLC‐SERS study of Syrian rue …Nondestructive identification for red ink entries of seals by Raman and Fourier transform infrared spectrometry (2012)Nondestructive identification…Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering (2011)Nondestructive Identification…Application of photoacoustic infrared spectroscopy in the forensic analysis of artists’ inorganic pigments (2010)Application of photoacoustic …μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts (2008)μ-XRF/μ-RS vs. SR μ-XRD for p…Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer (2005)Pigment Identification by Spe…Diagnostic Raman spectroscopy for the forensic detection of biomaterials and the preservation of cultural heritage (2005)Diagnostic Raman spectroscopy…Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy (2001)Pigment identification in pai…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy (2000)Analysis of pigments in polyc…Examples of analysis of pigments from fine art objects by Raman microscopy (1994)Examples of analysis of pigme…Ad-hoc Surface-Enhanced Raman Spectroscopy Methodologies for the Detection of Artist Dyestuffs: Thin Layer Chromatography-Surface Enhanced Raman Spectroscopy and in Situ On the Fiber Analysis (2009)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Tailored micro-extraction method for Raman/SERS detection of indigoids in ancient textiles (2015)SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures (2016)Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes (2019)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Identification of berberine in ancient and historical textiles by surface‐enhanced Raman scattering (2007)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Infrared Spectroscopy in Conservation Science (2000)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Identification and differentiation of the red ink entries of seals on document by laser desorption ionization mass spectrometry (2014)Forensic Discrimination Potential of Blue, Black, Green, and Red Colored Fountain Pen Inks Commercially Used in Pakistan, by UV/Visible Spectroscopy, Thin Layer Chromatography, and Fourier Transform Infrared Spectroscopy (2019)Study of ink aging: Targeting triethylene glycol in carbon-based black gel ink strokes on paper (2020)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)The detection of drugs of abuse in fingerprints using Raman spectroscopy I: latent fingerprints (2003)In situ characterization by Raman and X-ray fluorescence spectroscopy of post-Paleolithic blackish pictographs exposed to the open air in Los Chaparros shelter (Albalate del Arzobispo, Teruel, Spain) (2014)Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)Effective Raman spectra identification with tree-based methods (2018)Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Raman microscopy as a structural and analytical tool in the fields of art and archaeology (2007)Analytical Raman spectroscopic discrimination between yellow pigments of the Renaissance (2010)Studies of wall painting fragments from Kaiping Diaolou by SEM/EDX, micro Raman and FT-IR spectroscopy (2010)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)In vitro validation of a mobile Raman–XRF micro‐analytical instrument's capabilities on the diagnosis of Byzantine icons (2006)Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS) (2006)An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis (2007)VERDIGRIS AND COPPER RESINATE (1970)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)X-ray fluorescence spectrometry in art and archaeology (2000)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)The Use of Synchrotron Radiation for the Characterization of Artists' Pigments and Paintings (2013)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)SERS detection of red organic dyes in Ag‐agar gel (2012)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Identification and documentation of bite marks (2000)The Forensic Disciplines: Some Areas of Actual or Potential Application (2011)An Introduction to Behavioral Evidence Analysis (2012)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2001Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy152 cited
  • 2011Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering118 cited
  • 2008μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts87 cited
  • 2000Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy85 cited
  • 2012TLC‐SERS study of Syrian rue (Peganum harmala) and its main alkaloid constituents78 cited
  • 2014Crime Scene Investigation78 cited
  • 2005Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer61 cited
  • 2005Diagnostic Raman spectroscopy for the forensic detection of biomaterials and the preservation of cultural heritage53 cited
  • 2012Nondestructive identification for red ink entries of seals by Raman and Fourier transform infrared spectrometry37 cited
  • 1994Examples of analysis of pigments from fine art objects by Raman microscopy37 cited
  • 2010Application of photoacoustic infrared spectroscopy in the forensic analysis of artists’ inorganic pigments33 cited

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