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GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences

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References

2011Painting Materials: A Short Encyclopedia381 cited
2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
2000GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts107 cited
1999Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings73 cited

Cited by

2009Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides60 cited
2012A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings58 cited
2011Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA)57 cited
2009Towards proteomic analysis of milk proteins in historical building materials46 cited
2010Degradation of azurite in mural paintings: distribution of copper carbonate, chlorides and oxalates by SRFTIR44 cited
2008Preliminary study of UV ageing process of proteinaceous paint binder by FT-IR and principal component analysis44 cited

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2008

A diagnosis of the yellowing of the marble high reliefs and the black decorations in the chapel of the tomb of Saint Anthony (Padua, Italy)

39 cited

2013Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry38 cited

2008The influence of visible light and inorganic pigments on fluorescence excitation emission spectra of egg-, casein- and collagen-based painting media37 cited

2014Development and application of an ELISA method for the analysis of protein-based binding media of artworks37 cited

2012Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis31 cited

2012Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach28 cited

2015Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification27 cited

2009The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features27 cited

2018Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)27 cited

2009Identification of protein binders in works of art by high-performance liquid chromatography–diode array detector analysis of their tryptic digests27 cited