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Monsters, disgust and fascination
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Cited by

  • 2007The Paradox of Painful Art36 cited
  • 2015Acknowledgement and the paradox of tragedy35 cited
  • 2012Horror Films and the Argument from Reactive Attitudes27 cited
  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2015A Monster without a Name: Creating the Beast Known as Antiochus IV in Daniel 714 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2004Explaining the Uncanny in The Double Life of Véronique9 cited
  • 2001Manifestations of the Literary Double in Modern Horror Cinema9 cited
  • 2004Afterword: Psychoanalysis and the Horror Film9 cited
  • 2004Violence and Psychophysiology in Horror Cinema8 cited
  • 2004Manifestations of the Literary Double in Modern Horror Cinema6 cited
  • 2004Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter6 cited
  • 2004“What's the Matter with Melanie?”: Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema5 cited

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