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The intensification of production relocation has changed the geography of fashion and the relations between “made in” and national creativity. The possibility of creating fashion, i.e. of being recognized as “author countries,” is part of a process in which hierarchies and roles are being constantly renegotiated according to the contexts and players concerned.
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Stored only when both papers are in the corpus — 21 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.