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Digital cinema: The transformation of film practice and aesthetics
2 references·5 citing·28 second hop
Digital cinema: The transformation of film practice and aesthetics (2006)Digital cinema: The transformation of fil…The cinema of Abbas Kiarostami (2005)The cinema of Abbas KiarostamiExperimental Cinema in the Digital Age (2001)Experimental Cinema in the Di…New Aesthetic Characteristics Emerging in the Digital Cinema Era (2022)New Aesthetic Characteristics…Socially Engaged Art and Social Work: Reflecting on an Interdisciplinary Course Development Journey (2016)Socially Engaged Art and Soci…Digital Cinematography: Evolution of Craft or Revolution in Production? (2014)Digital Cinematography: Evolu…‘Control Space?: Cinematic Representations of Surveillance Space between Discipline and Control’ (2012)‘Control Space?: Cinematic Re…Writing for the Screen: Beyond the Gospel of Story (2006)Writing for the Screen: Beyon…Discipline and Punish: The Birth of the Prison. (1978)The surveillant assemblage (2000)How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (2001)Automated Experimentation in Walden 3.0. : The Next step in Profiling, Predicting, Control and Surveillance (2014)The Use of Surveillance Technologies in Planning Enforcement (2015)Digital Cinema: A False Revolution (2002)The Coming of Sound (2005)Reframing cinematography (2018)Youth Participation in Photovoice as a Strategy for Community Change (2006)Relational aesthetics (2011)Artificial hells: participatory art and the politics of spectatorship (2013)Art in Social Work: Equivocation, Evidence, and Ethical Quandaries (2017)Intersecting Interests: Qualitative Research Synthesis on Art in the Social Work Classroom (2017)Using arts-based materials to explore the complexities of clinical decision- making in a social work methods course (2017)The dynamics of creation (1972)Notebooks of the Mind: Explorations of Thinking (1987)The Conversations: Walter Murch and the Art of Editing Film (2002)Screenwriting (2014)Lights, Camera, Research: The Specificity of Research in Screen Production (2017)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Virtual Life of Film (2007)A Philosophy of Cinematic Art (2010)Neorealism, Iranian Style (2007)Iranian Cinema in the Twentieth Century: A Sensory History (2009)Contested Tibetan landscapes in the films of Pema Tseden (2016)New narrative pleasures?: A cognitive-phenomenological study of the experience of reading digital narrative fictions (2006)A History of Swedish Experimental Film Culture: From Early Animation to Video Art (2010)Riferimenti bibliografici (2014)
this work references cited by second hop

References

  • 2001Experimental Cinema in the Digital Age62 cited
  • 2005The cinema of Abbas Kiarostami55 cited

Cited by

  • 2012‘Control Space?: Cinematic Representations of Surveillance Space between Discipline and Control’27 cited
  • 2006Writing for the Screen: Beyond the Gospel of Story19 cited
  • 2014Digital Cinematography: Evolution of Craft or Revolution in Production?17 cited
  • 2016Socially Engaged Art and Social Work: Reflecting on an Interdisciplinary Course Development Journey11 cited
  • 2022New Aesthetic Characteristics Emerging in the Digital Cinema Era5 cited

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