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Made to last: the conservation of art, a case study of the NETS Victoria touring exhibition
7 references·1 citing·27 second hop
Made to last: the conservation of art, a case study of the NETS Victoria touring exhibition (2013)Made to last: the conservation of art, a …The Challenges of Conserving Contemporary Art (2013)The Challenges of Conserving …The artist interview: for conservation and presentation of contemporary art: guidelines and practice (2012)The artist interview: for con…Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms (2012)Embracing transience and subj…Conservation Treatment Methodology (2012)Conservation Treatment Method…Contemporary theory of conservation (2002)Contemporary theory of conser…Beyond the Material: Idea, Concept, Process, and Their Function in the Conservation of the Conceptual Art of Mike Parr (1998)Beyond the Material: Idea, Co…From the American System to Mass Production, 1800-1932 (1985)From the American System to M…Reconstructing the archive: Access, documentation, conservation (2016)Reconstructing the archive: A…The Past is a Foreign Country (1986)Possessed by the past: the heritage crusade and the spoils of history (1997)Deacidification for the conservation and preservation of paper-based works: A review (2010)THE SEVEN LAMPS OF ARCHITECTURE (2010)Science, value and material decay in the conservation of historic environments (2016)Review of preventive conservation in museum buildings (2017)The Artist's Intentions and the Intentional Fallacy in Fine Arts Conservation (1996)Historical and Philosophical Issues in the Conservation of Cultural Heritage (1997)Drawings you can walk on – Mike Parr and the 20th Biennale of Sydney 2016 (2018)Art on Paper/Variable Installation: Sara Hughes’ Torpedo at the Art Gallery of New South Wales (2019)Practitioner (In)visibility in the Conservation of Contemporary Art (2021)Poetics of Relation (1997)Queer Phenomenology (2006)Queer Phenomenology: Orientations, Objects, Others (2006)Possible interferences of some conservation treatments with subsequent studies on fossil bones: A conservator’s overview (2011)RENOVATION PRIORITY RANKING BY MULTI-CRITERIA ASSESSMENT OF ARCHITECTURAL HERITAGE: THE CASE OF CASTLES (2014)Heritage significance and the identification of attributes to preserve in a sustainable refurbishment (2019)O papel?! Qual papel? A função do papel no contexto dos estudos de preservação do património na era pós-industrial (2023)Artists’ interviews and their use in conservation: reflections on issues and practices (2016)What is the Object? Identifying and describing time-based artworks (2018)Conservation of Contemporary Art (2023)Fibre Optic Reflectance Spectroscopy as a non-invasive tool for investigating plastics degradation in contemporary art collections: A methodological study on an expanded polystyrene artwork (2012)New Values of Cultural Heritage and the Need for a New Paradigm Regarding its Care (2013)Documentando dilemas. Sobre la relevancia de los casos éticamente ambiguos (2017)Country capabilities and the permeability of borders (1991)The Transition to Flexible Specialisation in the US Film Industry: External Economies, the Division of Labour and the Crossing of Industrial Divides (1994)Handbook of organizational measurement (1997)
this work references cited by second hop

References

  • 1985From the American System to Mass Production, 1800-1932954 cited
  • 2002Contemporary theory of conservation419 cited
  • 2012Conservation Treatment Methodology148 cited
  • 2012The artist interview: for conservation and presentation of contemporary art: guidelines and practice43 cited
  • 2013The Challenges of Conserving Contemporary Art35 cited
  • 1998Beyond the Material: Idea, Concept, Process, and Their Function in the Conservation of the Conceptual Art of Mike Parr13 cited
  • 2012Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms4 cited

Cited by

  • 2016Reconstructing the archive: Access, documentation, conservation1 cited

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