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Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. Part II. In situ characterisation of Renaissance plates by portable micro‐Raman and XRF studies
5 references·16 citing·39 second hop
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this work references cited by second hop

References

  • 1995Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts142 cited
  • 2008Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc121 cited
  • 2008Nondestructive on‐site identification of ancient glasses: genuine artefacts, embellished pieces or forgeries?113 cited
  • 2006Experimental confirmation by Raman spectroscopy of a PbSnSb triple oxide yellow pigment in sixteenth‐century Italian pottery111 cited
  • 2003Spectroscopic investigation of yellow majolica glazes90 cited

Cited by

  • 2016Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience86 cited
  • 2013The Destructive/Non-Destructive Identification of Enameled Pottery, Glass Artifacts and Associated Pigments—A Brief Overview82 cited
  • 2011Multi-analytical identification of pigments and pigment mixtures used in 17th century Portuguese azulejos82 cited
  • 2014Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh78 cited
  • 2011Synthesizing lead antimonate in ancient and modern opaque glass76 cited
  • 2021In situ Raman spectroscopy for cultural heritage studies72 cited
  • 2014Characterization of colorants and opacifiers in roman glass mosaic tesserae through spectroscopic and spectrometric techniques

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72 cited
  • 2013Handheld XRF for Art and Archaeology65 cited
  • 2019Glass Beads, Markers of Ancient Trade in Sub-Saharan Africa: Methodology, State of the Art and Perspectives60 cited
  • 2014Macroscopic Fourier transform infrared scanning in reflection mode (MA-rFTIR), a new tool for chemical imaging of cultural heritage artefacts in the mid-infrared range53 cited
  • 2011Modified Naples yellow in Renaissance majolica: study of Pb–Sb–Zn and Pb–Sb–Fe ternary pyroantimonates by X-ray absorption spectroscopy45 cited
  • 2020Non-Invasive On-Site Raman Study of Pigments and Glassy Matrix of 17th–18th Century Painted Enamelled Chinese Metal Wares: Comparison with French Enamelling Technology40 cited
  • 2012The use of micro-XRD for the study of glaze color decorations40 cited
  • 2017Phase and compositional analysis of a Sèvres soft paste porcelain plate from 1781, with a review of early porcelain techniques38 cited
  • 2014Colouring Agents in the Pottery Glazes of Western A natolia: New Evidence for the Use of N aples Yellow Pigment Variations During The Late B yzantine Period36 cited
  • 2018A Mosaic of Colors: Investigating Production Technologies of Roman Glass Tesserae from Northeastern Italy36 cited