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The intertextuality of Tsai Ming-liang's Sinofrench film, Face
8 references·1 citing·25 second hop
The intertextuality of Tsai Ming-liang's Sinofrench film, Face (2011)The intertextuality of Tsai Ming-liang's …Directory of World Cinema: China 2 (2015)Directory of World Cinema: Ch…Leonardo da Vinci: the marvellous works of nature and man (2008)Leonardo da Vinci: the marvel…Visuality and IdentitySinophone Articulations across the Pacific (2007)Visuality and IdentitySinopho…Celluloid comrades: representations of male homosexuality in contemporary Chinese cinemas (2007)Celluloid comrades: represent…A new beginning: possible directions in Chinese cinemas studies (2006)A new beginning: possible dir…Stars and Stardom in French Cinema (2000)Stars and Stardom in French C…Italian Cinema from Neorealism to the Present (1985)Italian Cinema from Neorealis…Leonardo da Vinci : a study in psychosexuality (1947)Leonardo da Vinci : a study i…The Many Faces of Tsai Ming-Liang: Cinephilia, the French Connection, and Cinema in the Gallery (2017)The Many Faces of Tsai Ming-L…Shanghai modern: the flowering of a new urban culture in China, 1930-1945 (2000)Chinese National Cinema (2004)China on screen: cinema and nation (2006)Sensory everyday: Space, materiality and the body in the films of Tsai Ming-liang (2011)New Vocabularies in Film Semiotics (2005)Tsai Ming-Liang and a Cinema of Slowness (2014)Slow Time, Visible Cinema: Duration, Experience, and Spectatorship (2016)Cities and cinema (2008)A journal inCelebrity Studies (2010)A view to a brand: introducing the film brandscape (2013)Revealing the sfumato Technique of Leonardo da Vinci by X‐Ray Fluorescence Spectroscopy (2010)Leonardo da Vinci's studies of the heart (2012)Leonardo da Vinci and Fluid Mechanics (2020)The Cambridge History of Chinese Literature (2010)Routledge Handbook of Sexuality Studies in East Asia (2014)Queering the transnational turn: regionalism and queer Asias (2016)Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Remade in Hollywood: the global Chinese presence in transnational cinemas (2010)Trans-in-Asia, Asia-in-Trans (2018)Managing Desire: Heretical Transformation in Pasolini's Medea (2002)A short history of film (2008)Western, Go Home! Sergio Leone and the “Death of the Western” in American Film Criticism (2010)Strategic Irony and Lytton Strachey's Contribution to Biography (1988)Sigmund Freud dan Homoseksual (Sebuah Tinjauan Wacana Keislaman) (2003)A Theoretical and Critical Examination on the Relationship between Creativity and Morality (2017)
this work references cited by second hop

References

  • 2007Visuality and IdentitySinophone Articulations across the Pacific372 cited
  • 2000Stars and Stardom in French Cinema183 cited
  • 2008Leonardo da Vinci: the marvellous works of nature and man136 cited
  • 2007Celluloid comrades: representations of male homosexuality in contemporary Chinese cinemas98 cited
  • 1947Leonardo da Vinci : a study in psychosexuality76 cited
  • 1985Italian Cinema from Neorealism to the Present22 cited
  • 2006A new beginning: possible directions in Chinese cinemas studies10 cited
  • 2015Directory of World Cinema: China 27 cited

Cited by

  • 2017The Many Faces of Tsai Ming-Liang: Cinephilia, the French Connection, and Cinema in the Gallery5 cited

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