SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Ethnicity, Identity and Music: The Musical Construction of Place.
0 references·16 citing·46 second hop
Ethnicity, Identity and Music: The Musical Construction of Place. (1998)Ethnicity, Identity and Music: The Musica…Sounding identity in the digital age: Eastern Indonesia’s musical voices on Tiktok (2025)Sounding identity in the digi…Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening (2019)Sharing songs on Hirakata Squ…How to Protect Traditional Folk Music? Some Reflections upon Traditional Knowledge and Copyright Law (2017)How to Protect Traditional Fo…Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland (2015)Musically Consonant, Socially…Music as a site for Africanness and diaspora cultures: African musicians in the white landscape of Finland (2015)Music as a site for Africanne…The Study of Music in Anthropology (2012)The Study of Music in Anthrop…Popular Scottish Song Traditions at Home (and Away) (2011)Popular Scottish Song Traditi…Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon (2011)Performativity of Difference:…Brand-building: the creative city (2010)Brand-building: the creative …“Sing Us Back Home”: Music, Place, and the Production of Locality in Post-Katrina New Orleans (2010)“Sing Us Back Home”: Music, P…What We Teach and What They Learn: Social Identities and Cultural Backgrounds Forming the Musical Experience (2009)What We Teach and What They L…The city that was creative and did not know (2009)The city that was creative an…Collective Identity and Racial Thought in São Paulo’s Black Gospel Music Scene (2009)Collective Identity and Racia…Amateuring in Music and Its Rivals. (2007)Amateuring in Music and Its R…"SONGS CANNOT DIE": RITUAL COMPOSING AND THE POLITICS OF EMPLACEMENT AMONG THE BANABANS RESETTLED ON RABI ISLAND IN FIJI (2003)"SONGS CANNOT DIE": RITUAL CO…Moving and Dwelling: Building The Moroccan Ashelhi Homeland (2002)Moving and Dwelling: Building…Risk Society: Towards a New Modernity (1993)Risk Society, Towards a New Modernity (1994)Social Capital: Its Origins and Applications in Modern Sociology (1998)Keeping It “Reals” (2011)The Art of Grieving: West Sumatra's Worst Earthquake in Music Videos (2012)A Phenomenology of Landscape: Places, Paths and Monuments (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Music in Everyday Life (2000)Forms of talk (1981)The Production of Space (1992)Culture as text: hazards and possibilities of Geertz's literary/literacy metaphor (2009)The History of Sexuality: An Introduction (2012)Nostalgia for the Present : Ethnography and Photography in a Moroccan Berber Village (2014)The Invention of Tradition (1986)The Danger of Music and Other Anti-Utopian Essays (2008)Sonic warfare: sound, affect, and the ecology of fear (2010)Musicking: The Meanings of Performing and Listening (2000)The field of Cultural Production (2002)Pragmatism, Praxis, and Naturalism: The Importance for Music Education of Intentionality and Consummatory Experience in Musical Praxes (2017)Community music interventions, popular music education and eudaimonia (2021)Musical Value and Praxical Music Education (2022)Representation: Cultural representations and signifying practices. (1997)The Rise of the Creative Class (2002)Dancing to architecture: Popular music, economic crisis and urban change in 1980s industrial Europe (2012)The Creative City (2012)How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City (2013)Cartographies of Diaspora: Contesting Identities (1996)Flexible Citizenship: The Cultural Logics of Transnationality (2001)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Migrant rap in the periphery (2017)Music and Anti-Racism: Musicians’ Involvement in Anti-Racist Spaces (2018)Finnishness, Whiteness and Coloniality (2022)How Societies Remember (1989)Modernity at Large: Cultural Dimensions of Globalization. (1998)Emotions and the Relevance of the Past: Historicity and Ethnicity Among the Banabans of Fiji (2005)Reconfigurations of Place and Ethnicity: Positionings, Performances and Politics of Relocated Banabans in Fiji (2005)Phosphate and Forced Relocation: An Assessment of the Resettlement of the Banabans to Northern Fiji in 1945 (2013)From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism (1989)The Condition of Postmodernity (1991)The Role of Public Space in Urban Renewal Strategies in Rotterdam and Dublin (2011)Urban Governance and the ‘ E uropean City’: Ideals and Realities in D ublin, I reland (2014)Positioning the Urban in the Global Knowledge Economy: Increasing Competitiveness or Inequality (2020)The Presentation of Self in Everyday Life (2023)How Musical Is Man? (1976)European intellectual property review (1980)A Sweet Lullaby for World Music (2000)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015Music as a site for Africanness and diaspora cultures: African musicians in the white landscape of Finland36 cited
  • 2007Amateuring in Music and Its Rivals.35 cited
  • 2002Moving and Dwelling: Building The Moroccan Ashelhi Homeland28 cited
  • 2010Brand-building: the creative city25 cited
  • 2009The city that was creative and did not know20 cited
  • 2003"SONGS CANNOT DIE": RITUAL COMPOSING AND THE POLITICS OF EMPLACEMENT AMONG THE BANABANS RESETTLED ON RABI ISLAND IN FIJI18 cited
  • 2017How to Protect Traditional Folk Music? Some Reflections upon Traditional Knowledge and Copyright Law18 cited
  • 2010“Sing Us Back Home”: Music, Place, and the Production of Locality in Post-Katrina New Orleans16 cited
  • 2011Popular Scottish Song Traditions at Home (and Away)16 cited
  • 2015Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland14 cited
  • 2009What We Teach and What They Learn: Social Identities and Cultural Backgrounds Forming the Musical Experience13 cited
  • 2011Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon10 cited
  • 2019Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening9 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2025Sounding identity in the digital age: Eastern Indonesia’s musical voices on Tiktok5 cited
  • 2012The Study of Music in Anthropology5 cited
  • 2009Collective Identity and Racial Thought in São Paulo’s Black Gospel Music Scene5 cited