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Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗
16 references·2 citing·26 second hop
Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗ (1978)Sound recording popularity charts: A usef…The Sound of the City: The Rise of Rock and Roll (1972)The Sound of the City: The Ri…Guidelines for Style Analysis (1972)Guidelines for Style AnalysisAmerican Popular Song: The Great Innovators, 1900–1950 (1972)American Popular Song: The Gr…The Sound of the City: The Rise of Rock and Roll (1971)The Sound of the City: The Ri…Guidelines for Style Analysis (1971)Guidelines for Style AnalysisFolk Song Style and Culture. (1969)Folk Song Style and Culture.Folk Song Style and Culture (1969)Folk Song Style and CultureChanging Courtship Patterns in the Popular Song (1969)Changing Courtship Patterns i…On Esthetic Standards and Reference Groups of Popular Songwriters* (1966)On Esthetic Standards and Ref…The Rational and Social Foundations of Music (1960)The Rational and Social Found…The Rational and Social Foundations of Music (1958)The Rational and Social Found…The Dialogue of Courtship in Popular Songs (1957)The Dialogue of Courtship in …Psychoanalytic Explorations in Art (1953)Psychoanalytic Explorations i…Psychoanalytic Explorations in Art (1953)Psychoanalytic Explorations i…Social Background and Musical Taste (1948)Social Background and Musical…On Popular Music (1941)On Popular MusicBlack Pop Songwriting 1963–1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland (2017)Black Pop Songwriting 1963–19…The British invasion of American popular music: What is it and who pays? (1987)The British invasion of Ameri…Creativity, divergent thinking, and openness to experience. (1987)Embodiment as a Paradigm for Anthropology (1990)Four ways five factors are basic (1992)A typology of ‘hooks’ in popular records (1987)Pragmatics of Taste (2007)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)The beatles, the Brill building, and the persistence of Tin Pan Alley in the age of rock (1996)The Cambridge History of American Music (1998)The Cambridge History of American Theatre (1999)Sound Structure as Social Structure (1984)Music and the Global Order (2004)Let’s Dance Together: Synchrony, Shared Intentionality and Cooperation (2013)Thematic fame and melodic originality in classical music: A multivariate computer-content analysis1 (1980)John Field and the Alternative History of Concerto First-Movement Form (2011)Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions (2017)Classification in Art (1987)The cultural entrepreneur and the creative industries: beginning in Vienna (2006)Popular music and society (2015)Rappin' on the Tyne: White Hip Hop Culture in Northeast England – An Ethnographic Study (1999)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)Producing Artistic Value: The Case of Rock Music (1994)Insect Media: An Archaeology of Animals and Technology (2010)Universals in the world’s musics (2011)Does synchrony promote generalized prosociality? (2013)The Self and the Object World (1954)The Problem of Ego Identity (1956)
this work references cited by second hop

References

  • 1953Psychoanalytic Explorations in Art1,030 cited
  • 1953Psychoanalytic Explorations in Art1,003 cited
  • 1941On Popular Music400 cited
  • 1969Folk Song Style and Culture355 cited
  • 1969Folk Song Style and Culture.343 cited
  • 1972American Popular Song: The Great Innovators, 1900–1950215 cited
  • 1971The Sound of the City: The Rise of Rock and Roll173 cited
  • 1972Guidelines for Style Analysis163 cited
  • 1960The Rational and Social Foundations of Music157 cited
  • 1972The Sound of the City: The Rise of Rock and Roll139 cited
  • 1958The Rational and Social Foundations of Music130 cited
  • 1957The Dialogue of Courtship in Popular Songs116 cited
  • 1969Changing Courtship Patterns in the Popular Song103 cited
  • 1971Guidelines for Style Analysis51 cited
  • 1948Social Background and Musical Taste47 cited
  • 1966On Esthetic Standards and Reference Groups of Popular Songwriters*43 cited

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Black Pop Songwriting 1963–1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland
6 cited
  • 1987The British invasion of American popular music: What is it and who pays?3 cited