Jamming the Political: Beyond Counter-hegemonic Practices

Bart Cammaerts

110 citations0/0 files storedContinuum

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Art, Politics, and Modernism Music History and Culture Political theory and Gramsci

Abstract

Cultural jamming was introduced in popular discourse by the ‘audio-Dadaism’ band Negativeland on a cassette recording called JamCon84 released in 1985 and reissued on CD in 1994. On the tape one of...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 110 citations exist upstream.

References

2000Bowling alone: the collapse and revival of American community 2000Bowling alone 2011Silence : lectures and writings 2019Situationist International Anthology 1996Irony's Edge: The Theory and Politics of Irony 1967La société du spectacle 2003Irony's Edge

Cited by

2011Media and Participation: A site of ideological-democratic struggle 2010The Internet and democratic citizenship: theory, practice and policy 2011Re-constructing digital democracy: An outline of four ‘positions’2010Beyond apathetic or activist youth 2007Understanding Alternative Media 2012Protest logics and the mediation opportunity structure 2011From Steamed Bun to Grass Mud Horse: E Gao as alternative political discourse on the Chinese Internet 2009Radical pluralism and free speech in online public spaces

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.