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“Make way for the Indian”: Bhangra music and South Asian presence in Toronto
9 references·3 citing·33 second hop
“Make way for the Indian”: Bhangra music and South Asian presence in Toronto (2000)“Make way for the Indian”: Bhangra music …Culture and Imperialism (2017)Culture and ImperialismDangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Dangerous Crossroads: Popular…Culture and Imperialism. (1994)Culture and Imperialism.Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music (1990)Black Music in Britain: Essay…Popular film song in India: a case of mass-market musical eclecticism (1988)Popular film song in India: a…Ghazals to Bhangra in Great Britain (1988)Ghazals to Bhangra in Great B…A theoretical model for the sociomusicological analysis of popular musics (1982)A theoretical model for the s…The Interfaces of a Binational Third Culture: A Study of the American Community in India* (1967)The Interfaces of a Binationa…Jamming in the Third Space: South Asian Fusion Music in Canada (2014)Jamming in the Third Space: S…Migration Shaping Media: Punjabi Popular Music in a Global Historical Perspective (2012)Migration Shaping Media: Punj…Fiddle Grooves: Identity, Representation, and the Sound of Cape Breton Fiddle Music in Popular Culture (2009)Fiddle Grooves: Identity, Rep…Contesting Culture: Discourses of Identity in Multi-Ethnic London. (1998)Contesting Culture: Discourses of Identity in Multi-Ethnic London. (1998)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Presentation of Self in Everyday Life. (1956)The Sociological Imagination (1959)The Social Construction of Reality (1967)The musical soundscape as a contest area: `oriental music' and Israeli popular music (1986)Argentina's "Rock Nacional": The Struggle for Meaning (1989)Brian Eno: his music and the vertical color of sound (1990)Men in the Middle of the Third Culture: The Roles of American and Non-Western People in Cross-Cultural Administration (1963)The social psychology of cross-cultural relations (1982)Beyond corporate expatriation - global mobility in the sports, religious, education and non-profit sectors (2017)Third culture kids in the outer circle: The development of sociolinguistic knowledge among local and expatriate children in Singapore (2017)A Sweet Lullaby for World Music (2000)Youth and Cultural Practice (2002)The Racialization of Space and the Spatialization of Race: Theorizing the Hidden Architecture of Landscape (2007)Race and the Education of Desire (1995)Foundations of Place: A Multidisciplinary Framework for Place-Conscious Education (2003)Imperialism, Sovereignty and the Making of International Law (2005)Rock Aesthetics and Musics of the World (1997)World Music in Television Ads (2000)Drum'n'dhol 1 (2002)Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema (2007)COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD (2010)Rethinking Safeguarding: Objections and Responses to Protecting and Promoting Endangered Musical Heritage (2012)The social model of disability: An outdated ideology? (2004)Epistemic Freedom in Africa (2018)Arab Noise and Ramadan Nights: Rai, Rap, and Franco-Maghrebi Identity (1994)Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics (1995)Cosmopolitan preferences: The constitutive role of place in American elite taste for hip-hop music 1991–2005 (2010)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)
this work references cited by second hop

References

  • 1994Culture and Imperialism.6,527 cited
  • 2017Culture and Imperialism5,395 cited
  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 1988Popular film song in India: a case of mass-market musical eclecticism93 cited
  • 1990Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music74 cited
  • 1967The Interfaces of a Binational Third Culture: A Study of the American Community in India*55 cited
  • 1988Ghazals to Bhangra in Great Britain52 cited
  • 1982A theoretical model for the sociomusicological analysis of popular musics50 cited

Cited by

  • 2012Migration Shaping Media: Punjabi Popular Music in a Global Historical Perspective9 cited
  • 2009Fiddle Grooves: Identity, Representation, and the Sound of Cape Breton Fiddle Music in Popular Culture7 cited
  • 2014Jamming in the Third Space: South Asian Fusion Music in Canada4 cited

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