Gouvernance et performances. Une analyse historico-économique de l'Opéra national de Paris

Abstract

Since its creation in 1669, the Opera of Paris knew various forms of governance. It was royal, imperial, and then national. It always maintained close relations with the State but carried out its best performances when those relations were slackened to leave more autonomy to the management teams. But Baumol and his law returned to the State its past strength and power...

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