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Cited by

• 2004‘Everyone's cuddled up and it just looks really nice’: an emotional geography of some mums and their family photos121 cited
• 2015Posing in Prison: Family Photographs, Emotional Labor, and Carceral Intimacy100 cited
• 2002Who's Your Mama? "White" Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom91 cited
• 2004Mapping Visual Studies in Communication89 cited
• 2005Recognizing Lincoln: Image Vernaculars in Nineteenth-Century Visual Culture72 cited
• 2004Queer Physiognomies; Or, How Many Ways Can We Do the History of Sexuality?66 cited
• 2003A Tale of Why Social and Cultural Content is Often Excluded from Art Education—and Why it Should Not Be54 cited
• 2017“The Family Camera Network”54 cited
• 2001Letters Turned to Gold: Hawthorne, Authorship, and Slavery52 cited
• 2003Visuality and Black Masculinity in Ralph Ellison's Invisible Man and Romare Bearden's Photomontages42 cited
• 2006Chinese Exclusion, Photography, and the Development of U.S. Immigration Policy30 cited
• 2009Can ‘‘Men’’ Stop Rape?30 cited
• 2016Making Photography Matter: A Viewer's History from the Civil War to the Great Depression28 cited
• 2011Felt Surface, Visible Image: Lorna Simpson's Photography and the Embodiment of Appearance