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Cited by

• 2010Bent Hemingway40 cited
• 2003Going Home: Hemingway, Primitivism, and Identity38 cited
• 2001Melancholy Modernism: Gender and the Politics of Mourning in The Sun Also Rises36 cited
• 2011Race-ing Hemingway: Revisions of Masculinity and/as Whiteness in Ernest Hemingway’s Green Hills of Africa and Under Kilimanjaro35 cited
• 2005"He Felt the Change So That It Hurt Him All Through": Sodomy and Transvestic Hallucination in Late Hemingway34 cited
• 2002Nick at Night: Nocturnal Metafictions in Three Hemingway Short Stories34 cited
• 2016Becoming with Animals: Sympoiesis and the Ecology of Meaning in London and Hemingway33 cited
• 2007The Sun Also Rises in Queer Black Harlem: Hemingway and McKay's Modernist Intertext32 cited
• 2010“Glow-in-the-Dark Authors:” Hemingway's Celebrity and Legacy in Under Kilimanjaro31 cited
• 2012Gender, race, and mourning in American modernism31 cited
• 2001Hemingway's "The Sea Change": What Close Reading and Evolutionary Psychology Reveal30 cited
• 2002Hemingway Faces God29 cited
• 2012Hemingway, Wilhelm, and a Style for Lesbian Representation29 cited
• 2004A Matter of Love or Death: Hemingway’s Developing Psychosexuality in For Whom the Bell Tolls