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Identities on Stage and Staging Identities: ChicanoBrujo Performances as Emancipatory Practices
16 references·5 citing·28 second hop
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this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 2017Borderlands/La Frontera: The New Mestiza10,735 cited
  • 2000The Wretched of the Earth7,493 cited
  • 1999Disidentifications: Queers Of Color And The Performance Of Politics4,074 cited
  • 1996Unclaimed Experience3,368 cited
  • 1997Unclaimed experience: trauma, narrative, and history2,689 cited
  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 2020Theatre of the oppressed1,521 cited
  • 1996White by law: the legal construction of race1,320 cited
  • 1997White by Law: The Legal Construction of Race1,074 cited
  • 1991Rethinking ethnography: Towards a critical cultural politics947 cited
  • 1997Critical White Studies: Looking Behind the Mirror926 cited
  • 2001Witnessing: beyond recognition724 cited
  • 2001"Quare" studies, or (almost) everything I know about queer studies I learned from my grandmother635 cited
  • 2000The Decolonial Imaginary: Writing Chicanas into History

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634 cited

Cited by

  • 2019Mapping migrant vernacular discourses: Mestiza consciousness, nomad thought, and Latina/o/x migrant movement politics in the United States14 cited
  • 2009Will They See Me Coming? Do They Know I'm Running? Los Lobos and the Performance ofMestizajeIdentity through Journey12 cited
  • 2008Retrospective on Latin@ Rhetorical-Performance Scholarship: From “Chicano Communication” to “Latina/o Communication?”12 cited
  • 2014Resisting Whiteness: Mexican American Studies and Rhetorical Struggles for Visibility11 cited
  • 2011Performing Mythic Identity: An Analysis and Critique of “The Ethnogs”9 cited