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“Imitar col canto chi parla”: Monteverdi and the Creation of a Language for Musical Theater
0 references·7 citing·27 second hop
“Imitar col canto chi parla”: Monteverdi and the Creation of a Language for Musical Theater (2002)“Imitar col canto chi parla”: Monteverdi …Reimagine to Revitalise (2021)Reimagine to RevitaliseGesture in Musical Declamation: An Intercultural Approach (2017)Gesture in Musical Declamatio…The Sense of Touch in 'Don Giovanni' (2007)The Sense of Touch in 'Don Gi…Divine Wisdom and Dolorous Mysteries: Habsburg Marian Devotion in Two Motets from Monteverdi's Selva morale et spirituale (2007)Divine Wisdom and Dolorous My…The search for musical meaning (2005)The search for musical meaningSignifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera (2003)Signifying Nothing: On the Ae…From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet (2003)From Invention to Interpretat…Glorious Apollo: Poetic and Political Themes in the First Opera (1979)Power and display: music in court theatre (2005)"Venezia favorita da Maria": Music for the Madonna Nicopeia and Santa Maria della Salute (1984)Studien zur Musikwissenschaft (1989)'Col nobilissimo esercitio della vivuola': Monteverdi's string writing (1993)Barbara Strozzi, "virtuosissima cantatrice": The Composer's Voice (1978)Seneca and the Interpretation of "L'Incoronazione di Poppea" (1985)Tacitus Incognito: Opera as History in "L'incoronazione di Poppea" (1999)‘All that Glisters’: Orpheus’s Failure as an Orator and the Academic Philosophy of theAccademia degli Invaghiti (2014)The Concept of Opera (2015)Reading Music through Literature: Introduction (2017)A Treatise of Human Nature (1739)How To Do Things With Words (1975)Human Agency and Language (1985)The New Grove Dictionary of Music and Musicians (1981)Humanism in Italian Renaissance Musical Thought (1986)Musica Poetica: Musical-Rhetorical Figures in German Baroque Music (1998)The Institutio Oratoria of Quintilian (1920)Feminist Theory, Music Theory, and the Mind/Body Problem (1994)Chennai: Culture at the Cusp of Change (2020)An Introduction to Qualitative Research (2023)Languages of Art (1976)Improvisation: Its Nature And Practice In Music (1980)The New Grove dictionary of music and musicians (2001)A Philosophy of Playing Drum Kit (2022)Shared Listenings (2023)Repetition and Performance in the Recording Studio (2024)
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Cited by

  • 2021Reimagine to Revitalise17 cited
  • 2003Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera12 cited
  • 2003From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet11 cited
  • 2017Gesture in Musical Declamation: An Intercultural Approach6 cited
  • 2005The search for musical meaning4 cited
  • 2007Divine Wisdom and Dolorous Mysteries: Habsburg Marian Devotion in Two Motets from Monteverdi's Selva morale et spirituale3 cited
  • 2007The Sense of Touch in 'Don Giovanni'3 cited

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