this work references cited by second hopReferences
- 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
- 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
- 1996Outside in the Teaching Machine1,777 cited
- 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
- 2022Capitalism and Slavery447 cited
- 1995Ethnicity, Identity and Music. The Musical Construction of Place279 cited
- 1999Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place.237 cited
- 2005Music, Space and Place: Popular Music and Cultural Identity215 cited
- 1996Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania215 cited
- 1996Caribbean currents: Caribbean music from rumba to reggae215 cited
- 1998Rastafari and Other African-Caribbean Worldviews165 cited
- 1999Riffs, Repetition, and Theories of Globalization151 cited
- 1998Te mana te kāwanatanga : The politics of Māori self-determination122 cited
- 1986Race, Class and Political Symbols: Rastafari and Reggae in Jamaican Politics96 cited
- 2014Home. Land and Sea: Situating Music in Aotearoa New Zealand54 cited
Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work