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Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements
1 references·16 citing·48 second hop
Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Objects: Identif…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…Review of lighting deterioration, lighting quality, and lighting energy saving for paintings in museums (2021)Review of lighting deteriorat…Assessing the stability of arsenic sulfide pigments and influence of the binding media on their degradation by means of spectroscopic and electrochemical techniques (2018)Assessing the stability of ar…Optical coherence tomography and non-linear microscopy for paintings – a study of the complementary capabilities and laser degradation effects (2017)Optical coherence tomography …Behind the Bocour Label: Identification of Pigments and Binders in Historic Bocour Oil and Acrylic Paints (2017)Behind the Bocour Label: Iden…“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)“Paintings Fade Like Flowers”…Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)Documenting the light sensiti…A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)A holistic multimodal approac…Photochemical colour change for traditional watercolour pigments in low oxygen levels (2014)Photochemical colour change f…Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems (2012)Micro-fading spectrometry: A …Large-scale assessment of light-induced color change in air and anoxic environments (2012)Large-scale assessment of lig…The Use of Micro-Fading Spectrometry to Evaluate the Light Fastness of Materials in Oxygen-Free Environments (2011)The Use of Micro-Fading Spect…Non-destructive microfade testing at the National Museum of Australia (2011)Non-destructive microfade tes…An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)An Investigation of the Recip…A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)A survey on the light-fastnes…Calibration and Use of Photosensitive Materials for Light Monitoring in Museums (2004)Calibration and Use of Photos…Micro-fading tests to predict the result of exhibition: progress and prospects (2000)Micro-fading tests to predict…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Portable laser-induced breakdown spectroscopy/diffuse reflectance hybrid spectrometer for analysis of inorganic pigments (2017)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)A new application of Fiber optics reflection spectroscopy (FORS): Identification of “bronze disease” induced corrosion products on ancient bronzes (2021)The Russell and Abney Report on the Action of Light on Water Colours (1964)British Museum Technical Research Bulletin (2009)Micro-fading spectrometry: investigating the wavelength specificity of fading (2014)Change is permanent: thoughts on the fading of cochineal-based watercolor pigments (2017)The museum environment (1978)The permanence and care of color photographs: traditional and digital color prints, color negatives, slides, and motion pictures (1994)Accelerated Aging: Photochemical and Thermal Aspects (1996)Comparing different light-degradation approaches for the degradation of crystal violet and eosin Y (2021)Non‐invasive characterization of yellow dyes in tapestries of the 18th century: Influence of composition on degradation (2021)The Light-Fastness of the Natural Dyes (1966)The Fading Rates of Some Natural Dyes (1987)Chemical Principles of Textile Conservation (2000)Spectral damage model for lighted museum paintings: Oil, acrylic and gouache (2016)Wavelength Dependence of Light Induced Changes in Reflectance Spectra of Selected Dyes and Pigments (2017)Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management (2002)A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes (2016)An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. 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References

  • 1979National Gallery Technical Bulletin346 cited

Cited by

  • 2015A holistic multimodal approach to the non-invasive analysis of watercolour paintings56 cited
  • 2011An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry44 cited
  • 2017“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures44 cited
  • 2018Assessing the stability of arsenic sulfide pigments and influence of the binding media on their degradation by means of spectroscopic and electrochemical techniques36 cited
  • 2017Optical coherence tomography and non-linear microscopy for paintings – a study of the complementary capabilities and laser degradation effects33 cited
  • 2012Large-scale assessment of light-induced color change in air and anoxic environments33 cited
  • 2021Review of lighting deterioration, lighting quality, and lighting energy saving for paintings in museums29 cited
  • 2000Micro-fading tests to predict the result of exhibition: progress and prospects27 cited
  • 2010A survey on the light-fastness properties of organic-based Alaska Native artifacts26 cited
  • 2014Photochemical colour change for traditional watercolour pigments in low oxygen levels25 cited
  • 2011The Use of Micro-Fading Spectrometry to Evaluate the Light Fastness of Materials in Oxygen-Free Environments22 cited
  • 2004Calibration and Use of Photosensitive Materials for Light Monitoring in Museums

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22 cited
  • 2015Documenting the light sensitivity of Spanish Levantine rock art paintings21 cited
  • 2011Non-destructive microfade testing at the National Museum of Australia21 cited
  • 2012Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems20 cited
  • 2017Behind the Bocour Label: Identification of Pigments and Binders in Historic Bocour Oil and Acrylic Paints20 cited