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Immunology and art: Using antibody-based techniques to identify proteins and gums in artworks
7 references·16 citing·41 second hop
Immunology and art: Using antibody-based techniques to identify proteins and gums in artworks (2010)Immunology and art: Using antibody-based …Cochineal Red: The Art History of a Color (2010)Cochineal Red: The Art Histor…Examination of some pigments, grounds and media from Egyptian cartonnage fragments in the Petrie Museum, University College London (2008)Examination of some pigments,…The Use of Immunofluorescence Microscopy and Enzyme-Linked Immunosorbent Assayas Complementary Techniques for Protein Identification in Artists' Materials (2006)The Use of Immunofluorescence…Immunological detection of hemoglobin in bones of ancient Roman times and of Iron and Eneolithic Ages. (1985)Immunological detection of he…The Metropolitan Museum of Art Bulletin (1966)The Metropolitan Museum of Ar…The craftsman's handbook : the Italian "Il libro dell' arte" (1960)The craftsman's handbook : th…Il Libro dell'Arte (1934)Il Libro dell'ArteWhat Sherlock sorely missed: the EVA technology for cultural heritage exploration (2019)What Sherlock sorely missed: …Immunological Methods for the Detection of Binders in Ancient Tibetan Murals (2019)Immunological Methods for the…Plant gum identification in historic artworks (2017)Plant gum identification in h…Matrix Assisted Laser Desorption Ionization Mass Fingerprinting for Identification of Acacia Gum in Microsamples from Works of Art (2017)Matrix Assisted Laser Desorpt…Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars (2017)Comparison of analytical tool…On the conservation of easel paintings: evaluation of microbial contamination and artists materials (2016)On the conservation of easel …Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM (2016)Immunochemical Methods Applie…CIM® monolith chromatography-enhanced ELISA detection of proteins in artists' paints: Ovalbumin as a case study (2016)CIM® monolith chromatography-…Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood (2015)Synchrotron DUV luminescence …Identification of Ancient Silk Using an Enzyme-linked Immunosorbent Assay and Immuno-fluorescence Microscopy (2015)Identification of Ancient Sil…Proteomics applied to the authentication of fish glue: application to a 17th century artwork sample (2013)Proteomics applied to the aut…Characterization of blood in an encrustation on an African mask: spectroscopic and direct analysis in real time mass spectrometric identification of haem (2013)Characterization of blood in …A simple and reliable methodology to detect egg white in art samples (2013)A simple and reliable methodo…Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections (2012)Single and multiplexed immuno…FTIR, Raman and XRF identification of the image materials in turn of the 20th century pigment-based photographs (2012)FTIR, Raman and XRF identific…Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach (2012)Analysis of egg-based model w…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Ancient Egyptian materials and technology (2000)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Analysis of plant gums and saccharide materials in paint samples: comparison of GC-MS analytical procedures and databases (2012)Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects (2016)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Immunodetection of Proteins in Ancient Paint Media (2010)Peptide mass mapping as an effective tool for historical mortar analysis (2013)Influence of pigments and protein aging on protein identification in historically representative casein-based paints using enzyme-linked immunosorbent assay (2015)Species identification of ancient leather objects by the use of the enzyme-linked immunosorbent assay (2016)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media (2009)Analytical Strategies for Characterizing Organic Paint Media Using Gas 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A multi-analytical technique approach (2011)Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids (1998)Non-destructive synchrotron X-ray diffraction mapping of a Roman painting (2005)Strontium, a new marker of the origin of gypsum in cultural heritage? (2013)Identification of proteins in painting cross-sections by immunofluorescence microscopy (2008)Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA) (2010)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)A HISTORY LONG OVERDUE: (2011)Materials for Renaissance Fashion (2017)Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem (2019)Analysis of natural red dyes (cochineal) in textiles of historical importance using HPLC and multivariate data analysis (2011)Identification of unknown colorants in pre-Columbian textiles dyed with American cochineal (Dactylopius coccus Costa) using high-performance liquid chromatography and tandem mass spectrometry (2014)Investigation of crimson-dyed fibres for a new approach on the characterization of cochineal and kermes dyes in historical textiles (2015)
this work references cited by second hop

References

  • 1960The craftsman's handbook : the Italian "Il libro dell' arte"120 cited
  • 1966The Metropolitan Museum of Art Bulletin115 cited
  • 2008Examination of some pigments, grounds and media from Egyptian cartonnage fragments in the Petrie Museum, University College London105 cited
  • 1934Il Libro dell'Arte102 cited
  • 2010Cochineal Red: The Art History of a Color75 cited
  • 2006The Use of Immunofluorescence Microscopy and Enzyme-Linked Immunosorbent Assayas Complementary Techniques for Protein Identification in Artists' Materials75 cited
  • 1985Immunological detection of hemoglobin in bones of ancient Roman times and of Iron and Eneolithic Ages.48 cited

Cited by

  • 2017Plant gum identification in historic artworks37 cited
  • 2012Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections36 cited
  • 2013A simple and reliable methodology to detect egg white in art samples36 cited
  • 2013Proteomics applied to the authentication of fish glue: application to a 17th century artwork sample36 cited
  • 2015Identification of Ancient Silk Using an Enzyme-linked Immunosorbent Assay and Immuno-fluorescence Microscopy29 cited
  • 2013Characterization of blood in an encrustation on an African mask: spectroscopic and direct analysis in real time mass spectrometric identification of haem29 cited

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  • 2012Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach28 cited
  • 2017Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars26 cited
  • 2012FTIR, Raman and XRF identification of the image materials in turn of the 20th century pigment-based photographs25 cited
  • 2016Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM21 cited
  • 2019Immunological Methods for the Detection of Binders in Ancient Tibetan Murals21 cited
  • 2015Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood17 cited
  • 2017Matrix Assisted Laser Desorption Ionization Mass Fingerprinting for Identification of Acacia Gum in Microsamples from Works of Art14 cited
  • 2016On the conservation of easel paintings: evaluation of microbial contamination and artists materials14 cited
  • 2019What Sherlock sorely missed: the EVA technology for cultural heritage exploration14 cited
  • 2016CIM® monolith chromatography-enhanced ELISA detection of proteins in artists' paints: Ovalbumin as a case study13 cited