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This article challenges the notion that race categories and divisions have been Apartheid's greatest crime. It suggests that such an approach hides the complex nature of intersecting struggle within one culturally constructed location—and denies the need to investigate gender oppressions. This article refers to Mhlophe and Pam-Grant as two playwrights who write from the personal to the political context and thus provide a complex microcosm of the broader South African context.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.