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Gayl Jones and the Matrilineal Metaphor of Tradition

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References

1982Women, Race and Class1,087 cited
1985Conjuring : black women, fiction, and literary tradition404 cited
1972Neither Black nor White: Slavery and Race Relations in Brazil and the United States359 cited
2000In Search of Our Mothers' Gardens340 cited
1994Black Women Novelists and the Nationalist Aesthetic193 cited
1993Moorings and Metaphors: Figures of Culture and Gender in Black Women's Literature.172 cited
1979Female Slave Resistance: The Economics of Sex.138 cited
1988On Being the Object of Property135 cited
1992Around 1981: academic feminist literary theory94 cited
1973Neither Black nor White: Slavery and Race Relations in Brazil and the United States.82 cited

Cited by

2002Feminism and Cultural Memory: An Introduction351 cited
2005Othermothering as a Framework for Understanding African American Students' Definitions of Student-Centered Faculty286 cited
1997African American Othermothering in the Urban Elementary School123 cited
2001?I Said Nothing?: The Rhetoric of Silence and Gayl Jones'sCorregidora35 cited
2006Love and the Trauma of Resistance in Gayl Jones's Corregidora

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31 cited

2006Recovering hurston, reconsidering the choreographer26 cited

2003Mother, Memory, History: Maternal Genealogies in Gayl Jones'sCorregidoraand Simone Schwarz-Bart'sPluie et vent sur T�lum�e Miracle7 cited

2008Memory, History and Self-Reconstruction in Gayl Jones'sCorregidora6 cited

2004Resistance, Reappropriation, and Reconciliation: The Blues and Flying Africans in Gayl Jones's Song for Anninho6 cited