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Music in a New Found Land: Themes and Development in the History of American Music
0 references·8 citing·31 second hop
Music in a New Found Land: Themes and Development in the History of American Music (1964)Music in a New Found Land: Themes and Dev…Music in the Age of Anxiety (2016)Music in the Age of Anxiety“The Tears I Shed at the Songs of Thy Church”: Seventeenth-Century Musical Piety in the English Atlantic World (2012)“The Tears I Shed at the Song…The Moral Significance of the Music of the Black Atlantic (2007)The Moral Significance of the…Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--1865 (2007)Louis Moreau Gottschalk, John…Powers of Blackness: Africanist Discourse in Modern Concert Music (2002)Powers of Blackness: Africani…Genre, performance and ideology in the early songs of Irving Berlin (1994)Genre, performance and ideolo…From Catfish Row to Granby Street: contesting meaning in Porgy and Bess (1994)From Catfish Row to Granby St…Veiled Testimony: Negro Spirituals and the Slave Experience (1983)Veiled Testimony: Negro Spiri…The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914 (1974)A People's History of the United States: 1492-Present (1980)“Our War-Songs” (1864): Popular Song and Music Criticism during the American Civil War (2017)The Wages of Whiteness (2017)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Gone primitive: savage intellects, modern lives (1991)Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’sPiano Concerto in G Major (2019)Rabelais and his world (2020)Experience and nature. (1929)The Black Atlantic: Modernity and Double Consciousness. (1997)Art as Experience (1934) (2026)Blues People: Negro Music in White America (1963)Roll, Jordan, Roll: The World the Slaves Made (1976)Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (1978)The crisis of the Negro intellectual (1967)Studying Popular Music (1990)Horrible prettiness: burlesque and American culture (1991)A Question of Standards (2004)A Question of Standards: ?My Funny Valentine? and Musical Intertextuality (2004)The Law of Genre (1980)Foundations of Music History (1983)Running with the devil: power, gender, and madness in heavy metal music (1993)Musical genre as a gendered process: Authenticity in extreme metal (2010)La cantata: el cruce entre lo culto y lo popular (2013)Music, Analysis, Experience: New Perspectives on Musical Semiotics (2015)The Black Atlantic: Modernity and Double Consciousness (1994)Cities of the dead: circum-Atlantic performance (1996)Transatlantic Contrafacta, Musical Formats, and the Creation of Political Culture in Revolutionary America (2017)The City in History (1961)How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War (1984)A History of American Higher Education (1986)
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  • 1983Veiled Testimony: Negro Spirituals and the Slave Experience31 cited
  • 1994Genre, performance and ideology in the early songs of Irving Berlin20 cited
  • 2012“The Tears I Shed at the Songs of Thy Church”: Seventeenth-Century Musical Piety in the English Atlantic World18 cited
  • 1994From Catfish Row to Granby Street: contesting meaning in Porgy and Bess12 cited
  • 2002Powers of Blackness: Africanist Discourse in Modern Concert Music9 cited
  • 2016Music in the Age of Anxiety5 cited
  • 2007Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--18655 cited
  • 2007The Moral Significance of the Music of the Black Atlantic3 cited

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