The Catholic Side of Henry James.

William W. Stowe · Edwin Sill Fussell

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American and British Literature Analysis Catholicism and Religious Studies Modernist Literature and Criticism

Abstract

Preface Calendar: chief items of Catholic interest in Henry James Documentation Part I. Bibliographical Leads, Historical Considerations Part II. Representing Catholicity: 1. The Protestant base 2. Liberalism 3. The picturesque 4. The question of religious audience 5. Sacred seculars in the tales 6. Sacred seculars: novel, letter, and notebook 7. Death and literary form Part III. The Narratives of Catholic Conversion: 1. Watch and Ward (1871) 2. Italian sketches and Italian tales (1870-5) 3. Roderick Hudson (1875) 4. The American (1876-7) 5. Attenuations: The Reverberator (1888) 6. Supersubtlety one: What Maisie Knew (1897) 7. Supersubtlety two: The Turn of the Screw (1898) Part IV. Pas de quatre: 1. Catholicity neat: 'Gabrielle de Bergerac' (1869) 2. Secularizing Catholicity: 'The Altar of the Dead' (1895) 3. Protestantizing Catholicity: 'The Great Good Place' (1900) 4. Satirizing secularity: 'The Birthplace (1903) Part V. The Catholic Menage as Literary Space: 1. 'De Grey: A Romance' (1868) 2. Guy Domville (1893, 1895) 3. The Golden Bowl (1904): the crown of his career Part VI. 'Prove that I'm Not!' - Toward the Impossibility of Interpretation Notes Index.

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