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Popular Culture, Ideology, and the Comics Industry: Steve Ditko's Objectivist Spider‐Man
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Popular Culture, Ideology, and the Comics Industry: Steve Ditko's Objectivist Spider‐Man (2013)Popular Culture, Ideology, and the Comics…Dialectic of Enlightenment (2020)Dialectic of EnlightenmentThe Great Comic Book Heroes (2013)The Great Comic Book HeroesStan Lee: Conversations (2008)Stan Lee: ConversationsReading comics: how graphic novels work and what they mean (2008)Reading comics: how graphic n…Radicals for capitalism: a freewheeling history of the modern American libertarian movement (2008)Radicals for capitalism: a fr…“With Great Power Comes Great Responsibility”: Cold War Culture and the Birth of Marvel Comics (2007)“With Great Power Comes Great…Arguing Comics: Literary Masters on a Popular Medium (2004)Arguing Comics: Literary Mast…The Silver Age of Comic Book Art (2003)The Silver Age of Comic Book …The Marvel Comics Group's Spider‐Man is an Existentialist Super‐Hero; or “Life Has No Meaning Without My Latest Marvels!” (1983)The Marvel Comics Group's Spi…Spider‐Man: Superhero in the Liberal Tradition (1976)Spider‐Man: Superhero in the …The Myth of Superman (1972)The Myth of SupermanHow to Read Donald Duck: Imperialist Ideology in the Disney Comic (1971)How to Read Donald Duck: Impe…Mass Culture: The Popular Arts in America (1957)Mass Culture: The Popular Art…The Hearts of Men. American Dreams and the Flight from Commitment (1984)Male Subjectivity at the Margins (1993)Manhood in America: A Cultural History. (1997)Gluttonous crimes: Chew, comic books, and the ingestion of masculinity (2013)Be Part of the Story: A popular geopolitics of war comics aesthetics and Royal Air Force recruitment (2014)Central European Journal of International and Security Studies (2021)Revitalizing the Culture Concept (1979)The Myth of Massive Media Impact: Savagings and Salvagings (1986)Culture, Globalization, Mediation (2004)THE LIBERTARIAN NONAGGRESSION PRINCIPLE (2016)The missiology of trouble: Liberal discontent and metamodern hope (2016)Animal Subjects of the Graphic Novel (2011)The Doctor versus the Dagger: Comics Reading and Cultural Memory (2015)The Cambridge Companion to the Graphic Novel (2017)Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding (2002)For Public Sociology (2005)Toward a Global Idea of Race (2010)Cultural Argument and Organizational Constraint in the Comic Book Industry (1990)The Education of Green Lantern: Culture and Ideology (2003)Captain America in the news: changing mediascapes and the appropriation of a superhero (2012)This might be a game: ubiquitous play and performance at the turn of the twenty-first century (2006)The eternal return and overcoming ‘Cape Fear’: science, sensation, Superman and Hindu nationalism in recent Hindi cinema (2011)Narrating Myths: Story and Belief in Ancient Greece (2015)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)The New Revisionism in Mass Communication Research: A Reappraisal (1990)THE PARTICIPATORY WEB (2012)How the Graphic Novel Works (2017)The Autobiographical and Biographical Graphic Novel (2017)Ablenationalists Assemble (2021)Science comics as tools for science education and communication: a brief, exploratory study (2009)The graphic novel an introduction (2015)The potential of comics in science communication (2018)
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References

  • 2020Dialectic of Enlightenment5,795 cited
  • 1971How to Read Donald Duck: Imperialist Ideology in the Disney Comic513 cited
  • 1957Mass Culture: The Popular Arts in America367 cited
  • 2008Reading comics: how graphic novels work and what they mean307 cited
  • 1972The Myth of Superman205 cited
  • 2008Radicals for capitalism: a freewheeling history of the modern American libertarian movement125 cited
  • 2004Arguing Comics: Literary Masters on a Popular Medium106 cited
  • 2007“With Great Power Comes Great Responsibility”: Cold War Culture and the Birth of Marvel Comics64 cited
  • 2013The Great Comic Book Heroes28 cited
  • 1976Spider‐Man: Superhero in the Liberal Tradition15 cited
  • 1983The Marvel Comics Group's Spider‐Man is an Existentialist Super‐Hero; or “Life Has No Meaning Without My Latest Marvels!”6 cited
  • 2008Stan Lee: Conversations6 cited
  • 2003The Silver Age of Comic Book Art4 cited

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