SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Production of Popular Culture in Twentieth-Century Western Europe: Trends in and Perspectives on ‘Europop’
16 references·0 citing·35 second hop
The Production of Popular Culture in Twentieth-Century Western Europe: Trends in and Perspectives on ‘Europop’ (2013)The Production of Popular Culture in Twen…Irresistible Empire: America's Advance through Twentieth-Century Europe (2017)Irresistible Empire: America'…Historical Social Research (2012)Historical Social ResearchMusic Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Classification as Culture: Types and Trajectories of Music Genres (2008)Classification as Culture: Ty…Irresistible Empire (2005)Irresistible EmpireTOURNAMENT RITUALS IN THE EVOLUTION OF FIELDS: THE CASE OF THE GRAMMY AWARDS. (2004)TOURNAMENT RITUALS IN THE EVO…The Production of Culture Perspective (2004)The Production of Culture Per…When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)When Market Information Const…Creative industries: contracts between art and commerce (2000)Creative industries: contract…Balancing Act: Learning from Organizing Practices in Cultural Industries (2000)Balancing Act: Learning from …Creating Country Music: Fabricating Authenticity. (1999)Creating Country Music: Fabri…1. The Concept(s) of Culture (1999)1. The Concept(s) of CultureClasses and Cultures (1998)Classes and CulturesCreating Country Music (1997)Creating Country MusicSelling Culture: Magazines, Markets and Class at the Turn of the Century (1996)Selling Culture: Magazines, M…Why 1955? Explaining the advent of rock music (1990)Why 1955? Explaining the adve…The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions. (1964)The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun (1982)Creative cities: the cultural industries and the creative class (2008)Nexus Work: Brokerage on Creative Projects (2009)Work‐from‐anywhere : The productivity effects of geographic flexibility (2020)The Social Construction of Reality (1967)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Problems in comparative research: The example of omnivorousness (2005)Bourdieu, the media and cultural production (2006)Class Advantage, Commitment Penalty (2016)Another Discipline for the Market Economy: Marketing as a Performative Knowledge and Know-How for Capitalism (1998)Makeover television, governmentality and the good citizen (2008)The Cambridge History of Modernism (2017)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Managing visibility on YouTube through algorithmic gossip (2019)In the Social Factory? (2008)Let a Thousand Flowers Bloom? An Early Look at Large Numbers of Software App Developers and Patterns of Innovation (2011)Die Gesellschaft der Singularitäten (2018)Qualitative Comparative Analysis (QCA) and Related Systematic Comparative Methods (2006)Political Polarization on the Digital Sphere: A Cross-platform, Over-time Analysis of Interactional, Positional, and Affective Polarization on Social Media (2020)What Is Qualitative Research? An Overview and Guidelines (2024)Consumerism in Twentieth-Century Britain (2003)Respectability, Roughness and ‘Race’: Neighbourhood Place Images and the Making of Working‐Class Social Distinctions in London (2006)Class and Status: The Conceptual Distinction and its Empirical Relevance (2007)Violence and the Social Construction of Ethnic Identity (2000)AFTER LEGAL CONSCIOUSNESS (2005)Reflections on Ethnographic Work in Political Science (2010)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)Social Entrepreneurship: Why We Don't Need a New Theory and How We Move Forward From Here (2010)Borders in a Changing Europe: Dynamics of Openness and Closure (2006)Consumption, Pleasure and Politics (2010)From Shocks to Waves: Hegemonic Transitions and Democratization in the Twentieth Century (2014)
this work references cited by second hop

References

  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2012Historical Social Research1,782 cited
  • 2004The Production of Culture Perspective705 cited
  • 1997Creating Country Music702 cited
  • 1996Selling Culture: Magazines, Markets and Class at the Turn of the Century687 cited
  • 1998Classes and Cultures606 cited
  • 2000Balancing Act: Learning from Organizing Practices in Cultural Industries601 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 19991. The Concept(s) of Culture568 cited
  • 2005Irresistible Empire566 cited
  • 2008Classification as Culture: Types and Trajectories of Music Genres487 cited
  • 1999Creating Country Music: Fabricating Authenticity.484 cited
  • 2004TOURNAMENT RITUALS IN THE EVOLUTION OF FIELDS: THE CASE OF THE GRAMMY AWARDS.391 cited
  • 2000When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry364 cited
  • 1990Why 1955? Explaining the advent of rock music289 cited
  • 2017Irresistible Empire: America's Advance through Twentieth-Century Europe

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

284 cited

Cited by

No citing works inside the corpus for this window.