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Fine arts versus decorative arts: the categorization of Japanese arts at the international expositions in Vienna (1873), Paris (1878) and Chicago (1893)
11 references·0 citing·20 second hop
Fine arts versus decorative arts: the categorization of Japanese arts at the international expositions in Vienna (1873), Paris (1878) and Chicago (1893) (2012)Fine arts versus decorative arts: the cat…All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916 (2017)All the World's a Fair: Visio…The Imperial Museums of Meiji Japan. Architecture and the Art of the Nation (2009)The Imperial Museums of Meiji…The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation (2008)The Imperial Museums of Meiji…Expo: International Expositions 1851-2010 (2008)Expo: International Expositio…Japanese Painting and National Identity: Okakura Tenshin and His Circle (2004)Japanese Painting and Nationa…The Invention of Art. A Cultural History (2003)The Invention of Art. A Cultu…The invention of art: a cultural history (2002)The invention of art: a cultu…Ephemeral vistas: the expositions universelles, great exhibitions, and world's fairs, 1851-1939 (1989)Ephemeral vistas: the exposit…Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World's Fairs, 1851-1939 (1989)Ephemeral Vistas: The Exposit…La collection d'estampes japonaises de Claude Monet à Giverny (1983)La collection d'estampes japo…The capital of the tycoon : a narrative of a three years' residence in Japan (1969)The capital of the tycoon : a…The Decline of the Japanese Warrior Class, 1840-1880 (1990)A History of Japan, 1582–1941: Internal and External Worlds (2003)Asia’s little divergence: state capacity in China and Japan before 1850 (2014)The Aesthetics and Politics of Colonial Collecting: India at World Fairs (1989)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)Mega-events and urban policy (1994)Ethnographic Showcases, 1870-1930 (1993)The Mirage of an Unmarked Whiteness (2001)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Architects of Buddhist Leisure (2016)Architects of Buddhist Leisure (2017)4. John Ruskin and Henry James in the Enchanting Darkness of the Scuola Grande di San Rocco (2019)Patent Inventions - Intellectual Property and the Victorian Novel (2004)Discourse, Politics and Media in Contemporary China (2014)Major events and urban development: exploring the spatial impact of China's expositions in the early twentieth century (2019)Staging China (2019)In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art (review) (2012)Action, Criticism and Theory for Music Education (2004)Culture and Everyday Life (2004)History of Modern Aesthetics (2005)
this work references cited by second hop

References

  • 2017All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916447 cited
  • 2002The invention of art: a cultural history299 cited
  • 1989Ephemeral vistas: the expositions universelles, great exhibitions, and world's fairs, 1851-1939295 cited
  • 1989Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World's Fairs, 1851-1939229 cited
  • 1969The capital of the tycoon : a narrative of a three years' residence in Japan69 cited
  • 2009The Imperial Museums of Meiji Japan. Architecture and the Art of the Nation42 cited
  • 2008Expo: International Expositions 1851-201035 cited
  • 2003The Invention of Art. A Cultural History11 cited
  • 2004Japanese Painting and National Identity: Okakura Tenshin and His Circle9 cited
  • 2008The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation9 cited
  • 1983La collection d'estampes japonaises de Claude Monet à Giverny6 cited

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