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Eshu-Elegba: The Yoruba Trickster God
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Eshu-Elegba: The Yoruba Trickster God (1975)Eshu-Elegba: The Yoruba Trickster GodThe Walls of Benin Reconsidered: Interpreting West African Linear Earthworks Using A. J. H. Goodwin’s Unpublished Excavation Data (2025)The Walls of Benin Reconsider…There Is a There There: Place in African Cityscapes (2014)There Is a There There: Place…Shifting Subjectivities: Mestizas, Nepantleras, and Gloria Anzaldua's Legacy (2013)Shifting Subjectivities: Mest…The Messenger of the Gods (2010)The Messenger of the GodsÈjìwàpò: The Dialectics of Twoness in Yoruba Art and Culture (2008)Èjìwàpò: The Dialectics of Tw…A YORUBA TALE OF MARRIAGE, MAGIC, MISOGYNY AND LOVE (2002)A YORUBA TALE OF MARRIAGE, MA…Yoruba Gods on the American Stage: August Wilson'sJoe Turner's Come and Gone (1999)Yoruba Gods on the American S…Poverty and Sacrifice in Nineteenth-Century Yorubaland: A Critique of Iliffe's Thesis (1990)Poverty and Sacrifice in Nine…African Visual Arts from a Social Perspective (1989)African Visual Arts from a So…the moral imagination of the Kaguru: some thoughts on tricksters, translation and comparative analysis (1980)the moral imagination of the …The Arts of Egungun among Yoruba Peoples (1978)The Arts of Egungun among Yor…Yoruba culture : a geographical analysis (1966)Ifa Divination: Communication between Gods and Men in West Africa (1970)‘The West African Journal of Archaeology’ (1972)The Savage Mind (1962)After Babel: Aspects of Language and Translation (1978)Reclaiming the Epistemological Other: Narrative and the Social Constitution of Identity (1993)Philosophical investigations (2002)COMEDIANS, PASTORS, AND THE MIRACULOUS AGENCY OF CHARISMA IN GHANA (2009)Substance and Relationality: Blood in Contexts (2010)Everybody's Autobiography (1937)5. The Practice of Everyday Life (2000)Cities: Reimagining the Urban (2020)Death Without Weeping (1992)Modernity and Its Malcontents: Ritual and Power in Postcolonial Africa. (1994)Indexicality ofwọn:Yoruba language and culture (2012)38. After Virtue: A Study in Moral Theory (2015)Custom and Conflict in Africa (1955)Dictionary of modern Yoruba (1958)The Yoruba of Southwestern Nigeria. (1970)Art and spirituality : the Ijumu northeastern-Yoruba Egúngún (2005)Negotiating gender, power, and spaces in masquerade performances in Nigeria (2013)Eegun Ogun: War Masquerades in Ibadan in the Era of Modernization (2015)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)Purity and Danger (1966)Essays on the Verbal and Visual Arts (1968)A Theoretical Basis for Non-Western Art History Instruction (1993)Myth, Literature and the African World (1978)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Comparative American Identities: Race, Sex and Nationality in the Modern Text (1991)Images of African Traditional Religions and Christianity in Joe Turner's Come and Gone and the Piano Lesson (2003)Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)An Inquiry into the Nature and Causes of the Wealth of Nations (1776)Olodumare: God in Yoruba Belief (1966)The Logic of Writing and the Organization of Society (1986)Metaphors We Live By (2003)Hidden knowing of working-class transnational Mexican families in schools: bridge-building, Nepantlera knowers (2014)“Now Let Us Shift” the Subject: Tracing the Path and Posthumanist Implications of La Naguala / The Shapeshifter in the Works of Gloria Anzaldúa (2015)This bridge called my back : writings by radical women of color (2015)A Brief History of Neoliberalism (2020)Blurring the Borders with Anzaldúa in Context-Informed, Anti-Oppressive Research: The Case of Bedouin Women (2020)The Rites Of Passage (1961)The Ritual Process: Structure and Anti-Structure (1976)The International Journal of African Historical Studies (2008)
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Cited by

  • 1980the moral imagination of the Kaguru: some thoughts on tricksters, translation and comparative analysis78 cited
  • 1978The Arts of Egungun among Yoruba Peoples38 cited
  • 1989African Visual Arts from a Social Perspective28 cited
  • 2008Èjìwàpò: The Dialectics of Twoness in Yoruba Art and Culture21 cited
  • 2013Shifting Subjectivities: Mestizas, Nepantleras, and Gloria Anzaldua's Legacy20 cited
  • 1999Yoruba Gods on the American Stage: August Wilson'sJoe Turner's Come and Gone9 cited
  • 2002A YORUBA TALE OF MARRIAGE, MAGIC, MISOGYNY AND LOVE7 cited
  • 1990Poverty and Sacrifice in Nineteenth-Century Yorubaland: A Critique of Iliffe's Thesis5 cited
  • 2025The Walls of Benin Reconsidered: Interpreting West African Linear Earthworks Using A. J. H. Goodwin’s Unpublished Excavation Data2 cited
  • 2014There Is a There There: Place in African Cityscapes2 cited
  • 2010The Messenger of the Gods0 cited

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