The Chinese Side of the Mountain

Chris Berry

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Cinema History and Criticism Shakespeare, Adaptation, and Literary Criticism Cinema and Media Studies

Abstract

ABSTRACT Brokeback Mountain not only differs from most other Westerns by mixing in melodrama, but also uses a very specifically Chinese form of melodrama known as the “family ethics” film. Furthermore, it also draws on another regional subcultural tradition —comics produced for and by straight women but about love between two young men.

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2016Grotesque eroticism in the Danmei genre: the case of Lucifer's Club in Chinese cyberspace 2008So Queer Yet So Straight: Ang Lee’s The Wedding Banquet and Brokeback Mountain 2011Hollywood Border Cinema: Westerns with a Vengeance 2023From ‘Kill This Love’ to ‘CueJi’s Love’: The Convergence of Queer, Feminist and Global TV Cultures in China

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