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“The play is ready to be acted”: women and dramatic production, 1570-1670

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References

2003The Semiotics of Theatre and Drama802 cited
1977The Penguin Dictionary of Literary Terms and Literary Theory634 cited
2009The Elizabethan Stage303 cited
1985Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620215 cited
2003The Stage and Social Struggle in Early Modern England199 cited
1957The Jacobean and Caroline Stage145 cited
1967An Apology for Poetry144 cited
1990Philip's phoenix: Mary Sidney, Countess of Pembroke134 cited
1986Women and the English Renaissance: Literature and the Nature of Womankind 1540-1620104 cited
1994The blazing world and other writings100 cited
1990Philip’s Phoenix100 cited

Cited by

2017Worldmaking56 cited
2009Desire and dramatic form in early modern England14 cited
2008Performance, Performativity, and Identity in Margaret Cavendish’s The Convent of Pleasure9 cited
2008The Sound of Silence: Elizabeth Cary and the Christian Hero6 cited
2015Performing The Tragedy of Mariam and Constructing Stage History

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6 cited

2011Anne Finch, Restoration Playwright4 cited

2011Early Modern English Women Dramatists (1610–1690): New Perspectives3 cited

2017Unsilencing Elizabeth Cary3 cited

2018“Tell thou my lord thou saw’st me lose my breath”: Silence, speech, and authorial identity in Cary’sThe Tragedy of Mariam3 cited