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Interstitial film viewing: community exhibition in the twenty-first century
13 references·1 citing·32 second hop
Interstitial film viewing: community exhibition in the twenty-first century (2013)Interstitial film viewing: community exhi…Back to the Motherland: the film theatre in the postmedia age (2011)Back to the Motherland: the f…Filmic experience (2009)Filmic experienceBeyond the multiplex: cinema, new technologies, and the home (2006)Beyond the multiplex: cinema,…Directors and DVD Commentary: The Specifics of Intention (2004)Directors and DVD Commentary:…Robert Southard and the History of Traveling Film Exhibition (2003)Robert Southard and the Histo…Hiding homoeroticism in plain view: the Fight Club DVD as digital closet (2002)Hiding homoeroticism in plain…Film Cultures (2002)Film CulturesMagical Reels: A History of Cinema in Latin America. (1992)Magical Reels: A History of C…From exhibition to reception: reflections on the audience in film history (1990)From exhibition to reception:…Film and Revolution in Cuba: The First Twenty-Five Years (1985)Film and Revolution in Cuba: …Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The Imaginary Signifier (1975)The Imaginary SignifierIdeological Effects of the Basic Cinematographic Apparatus (1974)Ideological Effects of the Ba…Resisting the Creative Economy on Liverpool’s North Shore: Art-Based Political Communication in Practice (2019)Resisting the Creative Econom…Three Essays on the Theory of Sexuality (1905)Between Men (1985)Between Men: English Literature and Male Homosocial Desire. (1985)Centering Transgender Identity via the Textual Periphery:TransAmericaand the “Double Work” of Paratexts (2012)"Look What You Did to Me!": (Anti)Feminism and Extratextuality in the Remake of A Nightmare on Elm Street (2010) (2016)The horrors of white male innocence inIT(2017) (2019)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)New Vocabularies in Film Semiotics (2005)Visual Management Studies: Empirical and Theoretical Approaches* (2012)Imperfect media : the poetics of indigenous media in Chile (2004)Cuerpos, intelectuales y homosocialidad en "Los de abajo" (2007)Urban Fads and Consensual Fictions: Creative, Sustainable, and Competitive City Policies in Buenos Aires (2015)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Moving image theory: ecological considerations (2005)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)Pulling Apart the Apparatus (2014)The Phantasmagoric Dispositif: An Assembly of Bodies and Images in Real Time and Space (2016)Screen Space Reconfigured (2020)Film Distribution as Media: Mapping Difference in the Bolivian Cinemascape (1996)Film Geography: A Review and Prospectus (2015)Film, cinema and reception studies (2018)Conversions and Convergences: Sarah Bernhardt in the Era of Technological Reproducibility, 1910–1913 (2013)Brave New City: the image in the urban data-space (2016)Onscreen/Offscreen (2022)A good night out? Multiplex cinemas as sites of embodied leisure (2003)Theory, Post-theory, Neo-theories: Changes in Discourses, Changes in Objects (2007)Transforming film product identities (2011)RELOCATING AMERICAN FILM HISTORY (2006)Anime fandom and the liminal spaces between fan creativity and piracy (2011)Implicatures in film: Construal and functions in Bridget Jones romantic comedies (2011)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 2006Beyond the multiplex: cinema, new technologies, and the home310 cited
  • 1975The Imaginary Signifier279 cited
  • 1990From exhibition to reception: reflections on the audience in film history104 cited
  • 2002Hiding homoeroticism in plain view: the Fight Club DVD as digital closet88 cited
  • 1992Magical Reels: A History of Cinema in Latin America.78 cited
  • 2002Film Cultures71 cited
  • 2011Back to the Motherland: the film theatre in the postmedia age57 cited
  • 2009Filmic experience41 cited
  • 1985Film and Revolution in Cuba: The First Twenty-Five Years38 cited
  • 2004Directors and DVD Commentary: The Specifics of Intention27 cited
  • 2003Robert Southard and the History of Traveling Film Exhibition21 cited

Cited by

  • 2019Resisting the Creative Economy on Liverpool’s North Shore: Art-Based Political Communication in Practice3 cited

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