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This essay examines the pre- and posthistory ofThe Interesting Narrative of Olaudah Equiano, or Gustavus Vassa, the African(1789). Opening with a reconsideration of Vincent Carretta's influential claim that Equiano fabricated an African birthplace, I consider how Equiano's strategies of self-fashioning inform his trailblazing book tour of the British Isles in the early 1790s. If Equiano self-consciously designed his autobiography to become a best seller, his book tour performed the abolitionist manifesto that he was reluctant to put into print, as during his stops at cities and towns across the nation he worked to convert sympathetic readers into active abolitionists. Under the long shadow of the Pitt ministry's suppression of political activism in the 1790s, Equiano formed alliances with working-class and radical figures in Britain and Ireland, drawing on Shakespeare's Othello to develop a familiar public persona he could market during his book tour. (JB)
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