SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Who's Afraid of Picasso's Tie, or Do You See the Catch in Hypothetical Art?
4 references·0 citing·12 second hop
Who's Afraid of Picasso's Tie, or Do You See the Catch in Hypothetical Art? (2008)Who's Afraid of Picasso's Tie, or Do You …What Good Are the Arts (2005)What Good Are the ArtsReal spaces: world art history and the rise of Western modernism (2004)Real spaces: world art histor…The Transfiguration of the Commonplace, a Philosophy of Art (1981)The Transfiguration of the Co…The Transfiguration of The Commonplace (1974)The Transfiguration of The Co…Built cultural heritage and sustainable urban development (2007)RETHINKING THE SOCIAL IMPACTS OF THE ARTS (2007)Beyond the “Toolkit Approach”: Arts Impact Evaluation Research and the Realities of Cultural Policy‐Making (2010)The Fabrication of Meaning: Literary Interpretation in the United States, Great Britain, and the West Indies (1987)Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments (2009)The Conceptual mind: new directions in the study of concepts (2016)ART HISTORY AND CULTURAL DIFFERENCE: ALFRED GELL'S ANTHROPOLOGY OF ART (2005)Authorship and Cultural Identity in Early Greece and China (2010)Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges (2014)Intention, history, and artifact concepts (1996)Vogel's Net (1996)Intention and Analogy in Children's Naming of Pictorial Representations (1998)
this work references cited by second hop

References

  • 1974The Transfiguration of The Commonplace757 cited
  • 1981The Transfiguration of the Commonplace, a Philosophy of Art499 cited
  • 2004Real spaces: world art history and the rise of Western modernism215 cited
  • 2005What Good Are the Arts154 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work