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Theatre and religion: Lancastrian Shakespeare
0 references·16 citing·30 second hop
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Cited by

  • 2009(Re)defining the English Reformation100 cited
  • 2007Shakespeare and the Idea of the Book40 cited
  • 2014Contextualizing ‘The Phoenix and Turtle’: Shakespeare, Edward Blount and thePoetical EssaysGroup ofLove’s Martyr24 cited
  • 2018Alarums:Edward IIand the Staging of History15 cited
  • 2018Richard Jones,Tamburlaine the Great,and the Making (and Remaking) of a Serial Play Collection in the 1590s12 cited
  • 2018Marlowe in Miniature:Dido, Queen of Carthageand the Children of the Chapel Repertory12 cited
  • 2009“This demon in the garb of a monk”: Shakespeare, the Gothic and the discourse of anti-Catholicism10 cited
  • 2009Staging the Jesuitess in A Game at Chess9 cited
  • 2019Nostalgia in Print and Performance, 1510–16137 cited
  • 2019The Cambridge Companion to Shakespeare and Religion7 cited
  • 2011Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity6 cited
  • 2018Christopher Marlowe, Theatrical Commerce, and the Book Trade6 cited
  • 2010Lees and Moonshine: Remembering Richard III, 1485–16356 cited
  • 2017Religion and the Religious Turn6 cited
  • 2010

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"Spain is Portugal/And Portugal is Spain": Transnational Attraction in The Stukeley Plays and The Spanish Tragedy
5 cited
  • 2006Was Shakespeare a Christian, and If So, What Kind of Christian Was He?5 cited