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Cited by

• 2009The Poetry of Chartism: Aesthetics, Politics, History62 cited
• 2007Music at Work: An Introduction45 cited
• 1986Speech, Text, and Time: The Sense of Hearing and the Sense of the Past in Renaissance England29 cited
• 2007Harmonious relations? Music at work in the Rowntree and Cadbury factories28 cited
• 2017Copying, copyright and originality: imitation, transformation and popular musicians27 cited
• 2019Language, the Singer and the Song26 cited
• 2011'It wants all the creases ironing out': Percy Grainger, the Folk Song Society, and the Ideology of the Archive24 cited
• 2019On the Politics of Folk Song Theory in Edwardian England24 cited
• 1990Scandals of the Ballad22 cited
• 1995"Neither a Man nor a Maid": Sexualities and Gendered Meanings in Cross-Dressing Ballads21 cited
• 1984‘Not appreciated in Worthing?’ Class expression and popular song texts in mid-nineteenth-century Britain19 cited
• 1997Home Sweet Home? The ‘culture of exile’ in mid-Victorian popular song19 cited
• 2017How to Protect Traditional Folk Music? Some Reflections upon Traditional Knowledge and Copyright Law18 cited
• 2012The Accessibility of Music: Participation, Reception, and Contact