Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image

Jacqueline Maingard

130 citations0/0 files storedScreen

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Cinema and Media Studies Ethics, Aesthetics, and Art

Abstract

Jacqueline Maingard; June Givanni (ed.), Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image, Screen, Volume 43, Issue 2, 1 July 2002, Pa

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 130 citations exist upstream.

Cited by

2020Sylvia Wynter’s Theory of the Human: Counter-, not Post-humanist 2002Madness, Money, and Movies: Watching a Nigerian Popular Video with the Guidance of a Native Doctor 2016Sylvia Wynter's Theory of the Human and the Crisis School of Caribbean Heteromasculinity Studies 2013On the Idea of a Caribbean Cultural Studies 2009Film and Trauma: Africa Speaks to Itself through Truth and Reconciliation Films 2013Rouch's Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film 2013The Politics of Representation and Audience Reception: Alternative Visions of Africa 2014Violence, Livity, Freedom

Imported from OpenAlex (CC0) — nothing here is generated.