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Examination of anti‐obscenity campaigns in the post‐war years suggests that the ideals of masculinity mandated by cold war politics troubled Americans in ways more complex than historians have recognised. Psychiatrists, politicians and clubwomen focused on the graphic depiction of an aggressive, even violent, male heterosexuality in comic books and erotica to suggest that American men had become too hard and undomesticated, unable to sustain the institution so central to the American way of life – the family. Framed as a defence of beleaguered mothers and their children against male sadists, these campaigns expressed the impossibility of reconciling the conflicting demands on gender and family ideologies required by the domestic and foreign policies of the cold war.
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