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Pop goes the rapper: a close reading of Eminem's genderphobia
10 references·9 citing·36 second hop
Pop goes the rapper: a close reading of Eminem's genderphobia (2005)Pop goes the rapper: a close reading of E…Understanding Popular Music (2003)Understanding Popular MusicVicars of ‘Wannabe’: authenticity and the Spice Girls (2001)Vicars of ‘Wannabe’: authenti…Rap music and the poetics of identity (2000)Rap music and the poetics of …Representing: hip hop culture and the production of black cinema (1999)Representing: hip hop culture…Creating Country Music: Fabricating Authenticity. (1999)Creating Country Music: Fabri…Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Authenticity Within Hip-Hop a…Nashville sound: authenticity, commercialization, and country music (1998)Nashville sound: authenticity…Am I black enough for you?: popular culture from the 'hood and beyond (1997)Am I black enough for you?: p…Rhythm and Noise: An Aesthetics of Rock (1996)Rhythm and Noise: An Aestheti…Performative Acts and Gender Constitution : An Essay in Phenomenology and Feminist Theory (1988)Performative Acts and Gender …Flow (2019)Flow‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea (2015)‘First things first, I'm the …Imagining the Global (2014)Imagining the GlobalShaking the Closet: Analyzing Johnny Mathis's Sexual Elusiveness, 1956–82 (2010)Shaking the Closet: Analyzing…Rap Vocality and the Construction of Identity. (2009)Rap Vocality and the Construc…In Excess? Body Genres, “Bad” Music, and the Judgment of Audiences (2008)In Excess? Body Genres, “Bad”…Stratégies narratives dans « Stan » d’Eminem (2007)Stratégies narratives dans « …Hip Hop Consumption and Masculinity (2006)Hip Hop Consumption and Mascu…Language and Sexism (2001)Language and SexismWomen, Fire, and Dangerous Things (1987)Gender Trouble: Feminism and the Subversion of Identity (1991)Communities of Practice (1998)A hidden curriculum in Japanese EFL textbooks: Gender representation (2014)The Feminist Foundations of Language, Gender, and Sexuality Research (2014)English Politeness and Class (2017)Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Club cultures: music, media and subcultural capital (1996)In Search of Authenticity* (2005)The Girl Hunt: Urban Nightlife and the Performance of Masculinity as Collective Activity (2007)The Concept of Authenticity: What It Means to Consumers (2021)The Cluster as Market Organisation (2004)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)“Heritage rock”: Rock music, representation and heritage discourse (2009)Making Tracks: The Ontology of Rock Music (2006)Between silence and pain: loudness and the affective encounter (2015)Musical Rhythm in the Age of Digital Reproduction (2016)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)Measuring consumer-based brand authenticity (2013)Queer Performativity: Henry James's The Art of the Novel (1993)Citizenship in flux: The figure of the activist citizen (2009)Interventions on rethinking ‘the border’ in border studies (2011)Developing a framework for indicators of authenticity: the place and space of cultural and heritage tourism (2004)Country Talk (2011)The Dixie Chicks’ “Lubbock or Leave It”: Negotiating Identity and Place in Country Song (2014)Ethnicity and Sexuality (2000)Feelings of alienation and community among higher education students in a virtual classroom (2005)Gender, Race, and Media Representation (2006)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Misogyny in Rap Music (2009)“Where My Girls At?” (2002)Keepin' it Real (2003)African American English: A Linguistic Introduction (2004)
this work references cited by second hop

References

  • 1988Performative Acts and Gender Constitution : An Essay in Phenomenology and Feminist Theory2,921 cited
  • 2000Rap music and the poetics of identity499 cited
  • 1999Creating Country Music: Fabricating Authenticity.484 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 2003Understanding Popular Music309 cited
  • 1997Am I black enough for you?: popular culture from the 'hood and beyond221 cited
  • 1999Representing: hip hop culture and the production of black cinema169 cited
  • 1998Nashville sound: authenticity, commercialization, and country music142 cited
  • 2001Vicars of ‘Wannabe’: authenticity and the Spice Girls84 cited

Cited by

  • 2001Language and Sexism191 cited
  • 2015‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea93 cited
  • 2019Flow50 cited
  • 2008In Excess? Body Genres, “Bad” Music, and the Judgment of Audiences24 cited
  • 2007Stratégies narratives dans « Stan » d’Eminem23 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2014
Imagining the Global
23 cited
  • 2006Hip Hop Consumption and Masculinity13 cited
  • 2009Rap Vocality and the Construction of Identity.4 cited
  • 2010Shaking the Closet: Analyzing Johnny Mathis's Sexual Elusiveness, 1956–823 cited