Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Modified Naples yellow in Renaissance majolica: study of Pb–Sb–Zn and Pb–Sb–Fe ternary pyroantimonates by X-ray absorption spectroscopy

8 references·16 citing·34 second hop

FromToDepth

this work references cited by second hop

References

2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2008Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc121 cited
2006Experimental confirmation by Raman spectroscopy of a PbSnSb triple oxide yellow pigment in sixteenth‐century Italian pottery111 cited
2010Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. Part II. In situ characterisation of Renaissance plates by portable micro‐Raman and XRF studies88 cited
2007Microanalytical identification of Pb-Sb-Sn yellow pigment in historical European paintings and its differentiation from lead tin and Naples yellows87 cited
2011Synthesizing lead antimonate in ancient and modern opaque glass76 cited
2004Lead–Tin–Antimony Yellow - Historical Manufacture, Molecular Characterization and Identification in Seventeenth-Century Italian Paintings67 cited
2005EARLY PRODUCTION RECIPES FOR LEAD ANTIMONATE YELLOW IN ITALIAN ART*65 cited

Cited by

2020Non-Invasive On-Site Raman Study of Pigments and Glassy Matrix of 17th–18th Century Painted Enamelled Chinese Metal Wares: Comparison with French Enamelling Technology40 cited
2015Mining for Color: New Blues, Yellows, and Translucent Paint36 cited
2020European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China33 cited
2022

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Distinguishing Genuine Imperial Qing Dynasty Porcelain from Ancient Replicas by On-Site Non-Invasive XRF and Raman Spectroscopy

30 cited

2022Full Spectral Range Raman Signatures Related to Changes in Enameling Technologies from the 18th to the 20th Century: Guidelines, Effectiveness and Limitations of the Raman Analysis29 cited

2020Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry28 cited

2021The chemistry of making color in art27 cited

2021The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes27 cited

2022Non-Invasive Raman Analysis of 18th Century Chinese Export/Armorial Overglazed Porcelain: Identification of the Different Enameling Techniques26 cited

2022pXRF Data Evaluation Methodology for On-Site Analysis of Precious Artifacts: Cobalt Used in the Blue Decoration of Qing Dynasty Overglazed Porcelain Enameled at Customs District (Guangzhou), Jingdezhen and Zaobanchu (Beijing) Workshops26 cited

2023Non-Invasive On-Site pXRF Analysis of Coloring Agents, Marks and Enamels of Qing Imperial and Non-Imperial Porcelain24 cited

2014Early Renaissance Production Recipes for Naples Yellow Pigment: A Mineralogical and Lead Isotope Study of Italian Majolica from Montelupo (Florence)24 cited

2014Raman spectroscopic signatures of the yellow and ochre paints from artist palette of J. Matejko (1838–1893)21 cited

2014Pigment analysis of Portuguese portrait miniatures of 17th and 18th centuries by Raman Microscopy and SEM‐EDS17 cited

2018Conservation of contemporary art: Alteration phenomena in a XXI century artwork. From contactless in situ investigations to laboratory accelerated ageing tests14 cited

2016Characterization of the glaze and in-glaze pigments of the nineteenth-century relief tiles from the Pena National Palace, Sintra, Portugal14 cited