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Rhythm in the Music of Messiaen: An Algebraic Study and an Application in the "Turangalîla Symphony"
4 references·3 citing·25 second hop
Rhythm in the Music of Messiaen: An Algebraic Study and an Application in the "Turangalîla Symphony" (1998)Rhythm in the Music of Messiaen: An Algeb…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Music and Musical Thought in Early India (1992)Music and Musical Thought in …Olivier Messiaen and the Music of Time (1985)Olivier Messiaen and the Musi…The Technique of My Musical Language (1957)The Technique of My Musical L…Olivier Messiaen's Turangalîla-symphonie (2023)Olivier Messiaen's Turangalîl…Toward the reconciliation of mathematical theories of voice leading (2013)Toward the reconciliation of …Building Generalized Neo-Riemannian Groups of Musical Transformations as Extensions (2012)Building Generalized Neo-Riem…Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)The Geometry of Musical Chords (2006)A geometry of music: harmony and counterpoint in the extended common practice (2011)Generalized Musical Intervals and Transformations (1988)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Towards A Categorical Approach of Transformational Music Theory (2012)All-Interval Structures (2015)Old and New Isometries between Pc sets in the Planet-4D Model (2015)Technique de mon langage musical (1944)Messiaen's Synaesthesia: The Correspondence between Color and Sound Structure in His Music (1986)Chinese Émigré Composers and Divergent Modernisms (2024)Mariachi in the Twenty-First Century (2024)Rhythm and Heritage in Modern Flamenco Guitar (2025)The Cambridge History of Modernism (2017)Enacting Musical Time (2019)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Tempus ex Machina: A composer's reflections on musical time (1987)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Musical Structure, Performance and Meaning: The Case of a Stick-Dance from Nepal (2006)Time, Gesture and Attention in a Khyāl Performance (2007)Tellings and Texts (2015)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1957The Technique of My Musical Language161 cited
  • 1985Olivier Messiaen and the Music of Time131 cited
  • 1992Music and Musical Thought in Early India127 cited

Cited by

  • 2012Building Generalized Neo-Riemannian Groups of Musical Transformations as Extensions10 cited
  • 2023Olivier Messiaen's Turangalîla-symphonie9 cited
  • 2013Toward the reconciliation of mathematical theories of voice leading3 cited

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