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James Nelson Barker's The Indian Princess: the role of the operatic melodrama in the establishment of an American belles-lettres
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James Nelson Barker's The Indian Princess: the role of the operatic melodrama in the establishment of an American belles-lettres (2008)James Nelson Barker's The Indian Princess…Imagining Native America in Music (2006)Imagining Native America in M…Drama, Theatre, and Identity in the American New Republic (2005)Drama, Theatre, and Identity …Our Musicals, Ourselves: A Social History of the American Musical Theatre (2003)Our Musicals, Ourselves: A So…Performing America (1999)Performing AmericaAmerican Musical Theatre: A Chronicle (1994)American Musical Theatre: A C…The empire writes back: theory and practice in post-colonial literatures (1990)The empire writes back: theor…The Empire Writes Back (1989)The Empire Writes BackAmerican Theatre Companies, 1749-1887 (1986)American Theatre Companies, 1…The prejudice against Native American drama from 1778 to 1830 (1974)The prejudice against Native …James Nelson Barker in Perspective (1972)James Nelson Barker in Perspe…The complete book of light opera (1962)The complete book of light op…An Early American Melodrama: The Indian Princess of J. N. Barker and John Bray (1955)An Early American Melodrama: …A History of the Philadelphia Theatre, 1835-1855 (1935)A History of the Philadelphia…The Philadelphia Theatre in the Eighteenth Century (1933)The Philadelphia Theatre in t…History of the American Theatre (1932)History of the American Theat…Performing America cultural nationalism in American theaterPerforming America cultural n…Imagined Communities: Reflections on the Origin and Spread of Nationalism (1985)Playing in the Dark: Whiteness and the Literary Imagination. (1993)Cities of the dead: circum-Atlantic performance (1996)Atlantic Underclasses and Early American Theatre Culture (2009)NAKED FEMALES AND SPLAY-FOOTED SPRAWLERS: BALLERINAS ON THE STAGE IN JACKSONIAN AMERICA (2010)Ireland, Enlightenment and the English Stage, 1740-1820 (2019)The Asian American movement (1994)The America Play and Other Works (1995)The Black Atlantic: Modernity and Double Consciousness. (1997)Recasting Race: Casting Practices and Racial Formations (2000)Representing History: Performing the Columbian Exposition (2002)PERFORMING PROTEST: DRAG SHOWS AS TACTICAL REPERTOIRE OF THE GAY AND LESBIAN MOVEMENT (2004)“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s (2006)La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción (2008)Sound Relations (2021)Rethinking ethnography: Towards a critical cultural politics (1991)The Angel of Progress: Pitfalls of the Term "Post-Colonialism" (1992)The Post-Colonial Studies Reader (1996)The Cambridge History of American Music (1998)Making Music Modern (2000)The Oxford Handbook of The American Musical (2011)Is the Post- in Postcolonial the Post- in Post-Soviet? Toward a Global Postcolonial Critique (2001)The Dynamics of New Englishes: From Identity Construction to Dialect Birth (2003)Historically White Universities and Plantation Politics: Anti-Blackness and Higher Education in the Black Lives Matter Era (2018)A decade of brilliance: Dance theatre in late‐eighteenth‐century Philadelphia (1989)American theatre in context, from the beginnings to 1870 (1998)Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity (2005)The Cambridge Companion to African American Theatre (2012)Musical theater and American culture (2004)Enzyklopädie jüdischer Geschichte und Kultur (2011)Yip Harburg: Legendary Lyricist and Human Rights Activist (2012)Slave Spectacles and Tragic Octoroons: A Cultural Genealogy of Antebellum Performance (1992)The Cambridge History of American Theatre (1999)
this work references cited by second hop

References

  • 1990The empire writes back: theory and practice in post-colonial literatures1,639 cited
  • 1989The Empire Writes Back1,200 cited
  • 1994American Musical Theatre: A Chronicle273 cited
  • 2006Imagining Native America in Music93 cited
  • 1933The Philadelphia Theatre in the Eighteenth Century73 cited
  • 1986American Theatre Companies, 1749-188769 cited
  • 1999Performing America65 cited
  • n.d.Performing America cultural nationalism in American theater59 cited
  • 2003Our Musicals, Ourselves: A Social History of the American Musical Theatre52 cited
  • 2005Drama, Theatre, and Identity in the American New Republic46 cited
  • 1962The complete book of light opera40 cited
  • 1974The prejudice against Native American drama from 1778 to 183036 cited
  • 1955An Early American Melodrama: The Indian Princess of J. N. Barker and John Bray31 cited
  • 1932History of the American Theatre31 cited
  • 1935A History of the Philadelphia Theatre, 1835-185530 cited
  • 1972James Nelson Barker in Perspective23 cited

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