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Prescriptive notation: Limits and challenges
1 references·16 citing·41 second hop
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this work references cited by second hop

References

  • 1958PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING239 cited

Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2011An exploration of musical communication through expressive use of timbre: The performer’s perspective30 cited
  • 2017Tactile Paths: on and through Notation for Improvisers21 cited
  • 2016Creativity beyond innovation: Musical performance and craft18 cited
  • 2017Dark Precursor: Deleuze and Artistic Research17 cited
  • 2021A Semiotic Approach to Open Notations15 cited
  • 2017The Textility of Marking: Performers’ Annotations as Indicators of the Creative Process in Performance14 cited
  • 2014Expressive Performance in Contemporary Concert Music13 cited
  • 2017Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance12 cited
  • 2020Performing Knowledge11 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited

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2012
Performance in the ‘long eighteenth century’: an overview
5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited