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Musical representations, subjects, and objects: the construction of musical thought in Zarlino, Descartes, Rameau, and Weber

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Musicology and Musical Analysis Sound Studies and Aurality Literature, Musicology, and Cultural Analysis

Abstract

Acknowledgments Note on Translations Introduction 1. Zarlino: Instituting Knowledge in the Time of Correspondences 2. The Representation of Order: Perception and the Early Modern Subject in Descartes's Compendium musicae 3. The Complicity of the Imagination: Representation, Subject, and System in Rameau 4. Gottfried Weber and Mozart's K. 465: The Contents and Discontents of the Listening Subject Epilogue Glossary of Greek Terms Notes Bibliography Index

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References

1963The Structure of Scientific Revolutions 2005The Order of Things 2002Epistemologies of music theory

Cited by

2013Music, Modernity, and God 2018An Eighteenth-Century Theory of Musical Cognition?2017Discrete/Continuous: Music and Media Theory after Kittler 2012Enlightening Harmonies: Rameau's corps sonore and the Representation of the Divine in the tragédie en musique 2019Stop the Press? The Changing Media of Music Criticism 2017RAMEAU'S CARTESIAN WONDER 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment

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