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Original Copy: Plagiarism and Originality in Nineteenth-Century Literature
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Original Copy: Plagiarism and Originality in Nineteenth-Century Literature (2008)Original Copy: Plagiarism and Originality…Originality and Authorship in the Development of the Screen Idea (2021)Originality and Authorship in…Theorizing Adaptation (2020)Theorizing AdaptationWhat Is an Author? Old Answers to a New Question (2019)What Is an Author? Old Answer…T. S. Eliot and the Dynamic Imagination (2018)T. S. Eliot and the Dynamic I…Screen Music and the Question of Originality (2017)Screen Music and the Question…"Due Encouragement": The Consecration of Female Authorship Through Reader Contributions and Extracts in The First Series of The Lady's Magazine (1770–1819) (2017)"Due Encouragement": The Cons…plagiarism in Latin literature (2016)plagiarism in Latin literatureThe Cento, Romanticism, and Copyright (2012)The Cento, Romanticism, and C…Why Do We Quote? The Culture and History of Quotation (2011)Why Do We Quote? The Culture …Anatomy of Criticism: Four Essays (1959)A Poetics of Postmodernism (2003)A Theory of Adaptation (2006)How To Do Things With Words (1975)Genre analysis : English in academic and research settings. By John M. Swales (Cambridge applied linguistics series.) Cambridge & New York: Cambridge University Press, 1990. Pp. 260. Cloth $34.50, paper $15.95. (1993)The SAGE handbook of qualitative research (2005)Fake News as a Critical Incident in Journalism (2018)The pragmatics of air quotes in English academic presentations (2019)Metalinguistic density as an indicator of sharedness: Economic and financial terms in online interaction (2020)The Field of Cultural Production (1994)The field of Cultural Production (2002)Dictionary of the English language (2005)The Structure of Scientific Revolutions (1963)The Anxiety of Influence: A Theory of Poetry (1974)Science and the Modern World (2000)De la grammatologie (1967)Touching Feeling: Affect, Pedagogy, Performativity (2003)Touching feeling: affect, pedagogy, performativity (2003)Outline of a Theory of Practice (1977)Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critique of the Judgement of Taste* (2018)One for the team: understanding individual and collaborative pursuits of script development across competing discourses (2022)The Dialogic Imagination: Four Essays (1981)The Postmodern Condition: A Report on Knowledge (1984)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Intermedial Studies (2021)CODA: Transmedia Cultural History, Convergence Culture, and the Future of Adaptation Studies (2023)Young Adult Literature (2023)Group genius: the creative power of collaboration (2007)Musical Creativities in Practice (2012)Critique of Judgement (1790) (2026)European Literature and the Latin Middle Ages (1956)Redeeming the Text: Latin Poetry and the Hermeneutics of Reception (1995)S. Hinds, Allusion and Intertext: Dynamics of Appropriation in Roman Poetry (Roman Literature and its Contexts). Cambridge: Cambridge University Press. 1998. Pp. xvi + 155. ISBN 0-521-57186-3 (bound); 0-521-57677-6 (paper). £32.50 (bound); £11.95 (paper). (1999)
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  • 2017"Due Encouragement": The Consecration of Female Authorship Through Reader Contributions and Extracts in The First Series of The Lady's Magazine (1770–1819)14 cited
  • 2012The Cento, Romanticism, and Copyright11 cited
  • 2019What Is an Author? Old Answers to a New Question8 cited
  • 2021Originality and Authorship in the Development of the Screen Idea7 cited
  • 2017Screen Music and the Question of Originality2 cited

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