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This article examines the travels and appearances of Canadian Mohawk writers, lecturers, and performers E. Pauline Johnson and John Brant‐Sero, who appeared in Britain as self‐identified Mohawks, Canadians, and members of the British Empire during the late‐Victorian and Edwardian years of heightened imperial sentiment. The article draws upon feminist scholarship on performance, imperialism, and culture and consumption for the late‐Victorian and Edwardian period. It argues that, while Johnson and Brant‐Sero challenged stereotypes of Mohawk gender relations, they also were part of imperialist modernity; their gendered ‘performances’– on and off‐stage – must be analysed within the context of the gendered cultures of consumption and performance of late‐Victorian and Edwardian British society.
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