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Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
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Cited by

  • 2017Improvisation and Social Aesthetics60 cited
  • 2015Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein55 cited
  • 2012Marshall Winslow Stearns and the Politics of Jazz Historiography50 cited
  • 2018Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 195733 cited
  • 2020Kathy Acker33 cited
  • 2010Rock Criticism's Public Intellectuals25 cited
  • 2016In-between Performance and Mediatization: Authentication and (Re)-Live(d) Concert Experience24 cited
  • 2018Concentration, diversity, and consequences: Privileging independent over major record labels23 cited
  • 2011Richard Hell, Genesis: Grasp, and the Blank Generation: From Poetry to Punk in New York's Lower East Side22 cited
  • 2019Boundaries of the New: American Classical Music at the Turn of the Millennium22 cited
  • 2012Are we not new wave?: modern pop at the turn of the 1980s22 cited
  • 2004Early Jazz Literature (And Why You Didn't Know)21 cited
  • 2012Listening to ‘difficult albums’: specialist music fans and the popular avant-garde21 cited
  • 2011Scene through the Press: Rock Music and Underground Papers in London, 1966–7315 cited

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  • 2020Improvisation and Value in Rock, 196615 cited
  • 2007Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-9215 cited