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Demons, devils and witches: The occult in heavy metal music
0 references·5 citing·18 second hop
Demons, devils and witches: The occult in heavy metal music (2009)Demons, devils and witches: The occult in…Ode to a dying God: Debasement of Christian symbols in extreme metal (2019)Ode to a dying God: Debasemen…‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)‘Feel the Knife Pierce You In…Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music (2017)Strangers of Popular Culture …Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore (2014)Extreme Conditions Demand Ext…Birmingham’s Postindustrial Metal (2014)Birmingham’s Postindustrial M…Gender and power (1987)BARGAINING WITH PATRIARCHY (1988)Qualitative Interviewing: The Art of Hearing Data (1996)Sounding out the City: Music and the Sensuous Production of Place (1995)Cities and the Creative Class (2003)Cities and the Creative Class (2005)The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues (2016)Sonic Heritage, Identity and Music-making in Sheffield, “Steel City” (2020)Anatomy of Criticism (1957)New Age Religion and Western Culture (1996)Understanding Popular Culture (2006)Death metal tonality and the act of listening (1999)Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism (2006)‘Faith and Knowledge: The Two Sources of “Religion” at the Limits of Reason Alone’ (2010)The Autonomy of Affect (1995)Non-Representational Theory (2008)The Affect Theory Reader (2010)Engaging with absence: Why is the Holocaust a ‘problem’ for metal? (2020)
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Cited by

  • 2014Birmingham’s Postindustrial Metal10 cited
  • 2019‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects?7 cited
  • 2019Ode to a dying God: Debasement of Christian symbols in extreme metal6 cited
  • 2017Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music6 cited
  • 2014Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore4 cited

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