Art museums and society after apartheid

Abstract

Among post-colonial museums rebuilding their relationship with society, South Africa's museums still have room for improvement. While general examinations of the museum's social role have been limited to the organiser's perspective, this paper reviews it from the audience's perspective, using a range of styles of visitor research. This study shows how the legacy of apartheid is influential enough to repress appreciation of museum experiences among formerly underrepresented groups. It indicates, however, the potential of aesthetic experiences to encourage people to extend their limited horizon by meeting others. The argument lies in how far museums recognise such limits and possibilities, and how appropriately they assist visitors to open to others. Through exploring visitors’ experiences in the South Africa National Gallery, this study contributes to current reviews of the significance of art museums for people in a diverse society.

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