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Pascal Laugier's Martyrs, because of both its controversy and the power of its narrative, is deserving of critical attention. This article approaches the film from a two-pronged analysis, one that looks both at the external ramifications of the film on its audience and then at the symbolism of the story itself.
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Stored only when both papers are in the corpus — 24 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.