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Celtic Art: From Its Beginnings to the Book of Kells. By Ruth Megaw and Vincent Megaw.
0 references·16 citing·51 second hop
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  • 1995The Pre-Roman Iron Age in Britain and Ireland (ca. 800 B.C. to A.D. 100): An overview73 cited
  • 2005Shamans/Neo-Shamans: Ecstasy, alternative archaeologies and contemporary Pagans61 cited
  • 2009Dating Celtic Art: a Major Radiocarbon Dating Programme of Iron Age and Early Roman Metalwork in Britain44 cited
  • 2013The Spirit of the Sword and Spear39 cited
  • 1996Night and Day: the Symbolism of Astral Signs on Later Iron Age Anthropomorphic Short Swords35 cited
  • 2003The Economy of Dürrnberg-Bei-Hallein: An Iron Age Salt-mining Centre in the Austrian Alps34 cited
  • 2001The Carnyx in Iron Age Europe31 cited
  • 2017Potter’s Wheel in the Iron Age in Central Europe: Process or Product Innovation?27 cited
  • 1997Images in opposition: polarity, ambivalence and liminality in cult representation25 cited
  • 2011The Iron Age23 cited
  • 2005MASTER AND APPRENTICE, KNIGHT AND SQUIRE: EDUCATION IN THE ‘CELTIC’ IRON AGE21 cited
  • 2004Crowning Glories: Languages of Hair in Later Prehistoric Europe18 cited
  • 1998Vessels of Death: Sacred Cauldrons in Archaeology and Myth17 cited
  • 2012The Useful Dead: Bodies as Objects in Iron Age and Norse Atlantic Scotland17 cited

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  • 2004Artistic Expression and Material Culture in Celtic Gallaecia16 cited
  • 2011‘Fancy Objects’ in the British Iron Age: Why Decorate?16 cited